Original source · versioned page text
2020-07-07 S&O Agenda - Item 3 - Attachment 1 - Noosa Cultural Plan 2019-2023
The original of this document is very large (14.3 MB). Opening the original or downloading it may take a few minutes. Please be patient and don't click again. The page text is quick to read. If you are on mobile data, it is best to wait until you are on Wi-Fi.
Text sections have not been matched to the original PDF pages. Use the original document to check page numbers.
This document appears to be plans or drawings. Its page text below holds only the words printed on the drawings, without the drawings themselves, so it may be jumbled or hard to follow. To see the plans as drawn, choose Original above or download the file (both need you to log in).
Log in to see the plans as drawnServices & Organisation
Committee Agenda
7 July 2020
Attachment 1 to Item 3
NOOSA
CULTURAL
PLAN
2019-2023
See the original
The page text is free to read. Viewing or downloading an original file needs an account.
Log in to see the originalVery large file: the download may take a few minutes. If you are on mobile data, it is best to wait until you are on Wi-Fi.
Searchable page text hides email addresses. Original files are unchanged and may show email addresses.
Full text of the other 43 sections
Section 2
Noosa Cultural Plan 2019-2023
© Noosa Council 2018
General Enquiries:
By telephone: (07) 5329 6500
By email: [email protected]
Street Address: 9 Pelican Street, TEWANTIN
Postal address: PO Box 141, TEWANTIN QLD 4565
www.noosa.qld.gov.au
Disclaimer
This document has been developed by Noosa Council in consultation with the Noosa Cultural Plan
Reference Group.
Information contained in this document is based on available information at the time of writing. All figures and
diagrams are indicative only and should be referred to as such. Images contained in this publication have been
reproduced with authorisation. This is a strategic document which deals with technical matters in a summary way
only. Council or its officers accept no responsibility for any loss occasioned to any person acting or refraining from
acting in reliance upon any material contained in this document.
Acknowledgements
The Noosa Cultural Plan has been developed by Noosa Council with input and assistance from a wide range of
community and professional organisations and individuals. Council would particularly like to thank the following
groups and individuals who shared their time, knowledge and perspectives in developing the plan:
• Members of the Cultural Plan Reference Group – Cr Frank Wilkie [chair], Alan (Fox) Rogers, Kerri Contini,
Dr Sue Davis, Helena Gulash, Helen Ringrose, Shirley Page, Belinda Simonsen, Sandra Robertson and
Tricia Bradford
• Members of the Heritage Reference Group – Cr Jess Glasgow [chair], Alan (Fox) Rogers, Kerri Contini,
Jane Harding, Jeanette Alfredson, Laurie Jones, Helena Gulash, Chris Hunt and Stuart Scott
• Sunshine Coast Creative Alliance
• Create Noosa
• Cathy Hunt, Positive Solutions
• Peter Browning, The Hornery Institute
Acknowledgement of country
Noosa Council would like to respectfully acknowledge the Kabi Kabi/Gubbi Gubbi People, traditional custodians of
the lands and waters that form the region we call Noosa. Council pays respect to elders: past, present and future,
and welcomes the ongoing role that indigenous people play within the Noosa community.
Section 3
CONTENTS Acknowledgements 2
Message from the Mayor 3
Purpose 5
What do we mean by “Culture”? 6
The Importance of Arts, Culture and Heritage 7
The Global Context 8
The Local Noosa Context 10
Vision 24
Principles 24
Aims 24
Key themes 24
History and Heritage 26
Places and Spaces 28
People and Participation 30
Knowledge and Learning 32
Growing the Cultural Economy 34
The Digital Future Begins Now 36
Roles and Responsibilities 38
Outcomes 39
Methodology 40
Image Credits 42
Glossary 43
Section 4
Message from our Mayor There has never been a human culture that did not engage in both visual art and musical creativity. Even our early hominid ancestors engaged in visual arts. Cultural activities bring communities together to celebrate something that is wonderful about humanity: our ability to share our own intrinsic personal experience of life. Plainly the creative arts are essential components of human endeavour. No other creature can share their imagination in the same way. I say imagination because as well as being capable of being imaginative – that is to create something new out of our experiences – we each view the world differently. We are each the product of our unique set of influences, and in order to make sense of the world, we must each interpret and assess the world in our own intrinsic way. Whilst there may be sizeable overlaps, your world view is never going to be identical to anyone else’s world view. And that is, arguably, one reason why we humans create art. Through the arts we get to experience other people’s very intimate world views. That can be both humbling and liberating. Few zealots or fundamentalists take an interest in the arts. Indeed, zealots are often opposed to the sort of pluralism and diversity that the arts encompass. That’s because art, by its very nature, challenges our personal perceptions of the world. Art is a constant reminder of our essential individual differences. As a result, the arts breed understanding as well as a tolerance of diversity. Heritage is also a means by which we come to know ourselves better, to define who we are and how we got here. This Noosa Cultural Plan will help ensure that both the arts and our communal history will continue to be positive forces, fostering individual wellbeing and building social cohesion. Tony Wellington Noosa Mayor Page 4
Section 5
PURPOSE
An annual action plan will be developed for Noosa Council each
year to progress the goals and objectives of the Cultural Plan
The Noosa Cultural Plan will harness and direct resources, energy and stakeholder support to achieve a
flourishing future for arts, culture and heritage in the Noosa Shire The Noosa Cultural Plan 2019 – 2023 is a
key Council planning document aligning with, and supporting, Council’s Corporate Plan and our vision “Noosa
Shire – Different by Nature”.
The Cultural Plan recognises the value of arts, culture and heritage to the Noosa community, and to Council
itself. It aims to secure a healthy future for the cultural sector based on shared aspirations and priorities.
It outlines a range of goals and actions across the coming five years to build on existing strengths, address
essential gaps and take advantage of emerging opportunities. It also outlines the role of Council and
stakeholders and the importance of partnership in the delivery of the Cultural Plan.
The Cultural Plan is part of a framework of Council strategies and plans which aim to achieve five major
twenty-year goals:
• Our environment is protected, enhanced and valued by the community
• Our community is connected, safe and happy and able to meet their potential
• Our economy is diverse and resilient
• Noosa Shire is well managed and sustainable
• The Noosa Shire community is proud of its Council
Of particular note, the Cultural Plan supports the aims of Council’s planning scheme “The Noosa Plan”, the
Noosa Shire Local Economic Plan and Noosa Design Principles. Importantly, it was a key recommendation of
the Noosa Social Strategy (2016) and supports the objectives in its four focus areas:
• A cohesive and resilient community
• An active and healthy community
• An accessible, diverse and affordable community
• A creative and informed community
Page 5
Section 6
WHAT IS CULTURE?
The term “Culture” has a wide range of meanings Creative industries:
within government, industry and the community.
Noosa’s Cultural Plan will consider culture broadly to A sector which harnesses a range of creative and
encompass arts, culture and heritage as conveyed in business skills for commercial production and
Australia’s National Arts and Culture Accord (2013). dissemination. Creative industries include film and
television production, broadcasting, electronic
The arts: games, architecture, design and fashion, publishing,
media and advertising.
The arts include music, performing arts, literature
and visual arts, in both their established and Cultural heritage:
emerging art forms, and inter-arts activities. In
addition to the individual and collective activities In parallel with the arts and creative industries there
of practitioners, for vocational or recreational is a strong recognition of Australia’s diverse cultural
purposes, the arts include arts education, heritage, and the work of museums, galleries and
community arts, collections and performances libraries and archives to preserve and provide access
which may be made available to the public in to the artefacts and intangible heritage of Australia’s
galleries, libraries, theatres, cultural venues, training culture. In particular, Australia’s heritage includes
institutions and increasingly on-line and broadcast. Aboriginal and Torres Strait Islander cultures which
are amongst some of the oldest living cultures in the
world.
Section 7
Arts, culture and heritage enrich lives through participation,
experience, observance or appreciation. Their value is difficult to
define but intrinsically felt and understood; they give a sense of heart
and soul to our people and communities
The Importance of The Arts, Culture and Heritage
Vibrant and healthy communities require a At its heart, arts, culture and heritage help
co-operative blend of human, economic and distinguish what is intrinsically “Noosa”.
environmental attributes. Integral to this
are cultural and creative elements which “The arts have the power to inspire, entertain and
add character, substance and meaning to a unite. They connect people with ideas, emotions
community, often defining what makes it unique. and stories; and spark imagination, creativity
and joy. The arts are intrinsically important and
For Noosa, a flourishing cultural sector has contribute to individual and collective wellbeing
individual and collective benefits in social, – they play an essential role in the daily lives of
economic and environmental terms. Arts, culture Australians.” (Connecting Australians: Results of
and heritage increase the positive liveability and the 2016 National Arts Participation Survey)
quality of life within the region, both tangibly
through architecture, civic design, venues, By growing our arts and cultural sector and
galleries, libraries, museums, art, performances, recognising our heritage Noosa will benefit from:
exhibitions, and intangibly through a myriad of
• A strong sense of identity and civic pride
qualitative facets including a shared sense of
place, community and values. • A strong commitment to shared values
• Improved individual and community wellbeing
• The freedom to express ideas and feelings and
respectfully explore diverse viewpoints
• A greater willingness and ability to look after
each other and our environment
• Increased participation in community
activities
• A strong commitment to maintaining our
unique and distinctive communities
• The genuine inclusion of people from varying
backgrounds, beliefs and abilities
• The ability to solve problems creatively,
perceive of a vision, innovate and adapt to
change
• A strong sense of who we are and where we
have come from
Page 7
Section 8
GLOBAL
Noosa ShireShire
Noosa Council
CONTEXT
Council
In an increasingly interconnected world it is important to be cognisant
of the issues impacting Noosa’s arts,culture and heritage: from global,
national and state influences
From outside the Noosa region, a range of factors • Persistent skills gap in people being able to fully
and trends have the potential to impact on the utilise emerging tools
cultural sector locally - some present as challenges,
others as opportunities and some can offer both. • Communities of interest engaging virtually where
artists who feel isolated locally can engage with
Policy and Funding international artists in similar fields to share and
learn
• Lack of current arts-specific policy at a federal or
state level resulting in a need to align with other Economy
policies or develop stand-alone local policies
• Changing nature of cultural tourism with “baby
• Stagnation and reduction in government and boomer” retirement sector looking to travel for
corporate funding for the arts, particularly for niche cultural interests
individual artists or small initiatives, with funding
focussed on economic outcomes such as major • Growth of home based businesses, particularly in
events studio based cultural sector or digitally engaged
arts practices
• Changing models of resourcing such as
crowdfunding, cultural philanthropic funds and • Explosion in availability of cheap imported
micro-loans products competing with locally produced,
original works of art and craft
• Need to measure and demonstrate outcomes
and value across differing facets (cultural, social Community
and economic), which has been particularly
difficult in areas like arts and heritage where data • Ongoing concern over the lack of genuine
has been difficult to collect accurately and has recognition and inclusion of indigenous arts and
often failed to tell a convincing story heritage
Participation • Increased priority on creation of precincts or
urban renewal to develop or maintain distinct
• People’s increasing desire to engage with and community identity
participate in the arts but not necessarily through
traditional means such as attending a gallery or • The co-location of public infrastructure with like-
joining a creative group minded facilities eg galleries/museums, galleries/
libraries, or with commercial infrastructure
• Changing nature of volunteerism seeing an to off-set costs such as retail, hospitality,
increase in short-term project or specific skill- accommodation
based volunteerism
• People craving a sense of identity and belonging
• Fragile viability of community organisations, in an increasingly complex world
particularly impacted by funding changes, and
administrative complexity • Growing understanding of the important role
creativity and arts practice can play in education,
Technology health and wellbeing
• Rapid development of technology changing
approach to many facets of cultural sectors
Page 8
Section 9
Page 9
| a Z ’ / ¥, .
eS yas /| ;
, - Vig vl le ky ‘
iy J [> a
\\ yy 4. be |
\" i , Ze h :
| > Uf oy,
= : 4
y/aw
. Mi Gy Y » 4
La = , >
‘ NG a a F ny |
| a
/ 1 ’
7
\. | ty
. , | a
| ‘Section 10
THE LOCAL NOOSA CONTEXT
Home to over 53,000 residents, Noosa Shire Council encompasses
urban coastal communities, hinterland villages and rural localities set
in and around the Noosa River catchment
Noosa Shire is located 120km north of Brisbane in People in the arts, culture and heritage sector were
South East Queensland and covers an area of 871 closely aligned with and active in the environmental
km. It is widely known for its stunning environment, and social movements of the 1980s and 1990s.
idyllic lifestyle and as an iconic tourist destination. The unspoiled, natural environment was a magnet
for artists, particularly visuals artists and craft
artisans, who could support themselves through the
Our heritage increasing tourism sector such as at the emerging
Eumundi Markets.
Noosa’s cultural heritage has rich roots with the
Kabi Kabi/Gubbi Gubbi people being the original The focus was both on protecting the natural
custodians of the land and waters. Although there environment and creating a special built
was significant disruption and dislocation in the environment for Noosa Shire. During the 1990s
19th and early 20th century, the resilience of the and 2000s, Noosa Council also focused on building
Kabi Kabi/Gubbi Gubbi people has ensured that community capacity. This included the development
their important connection to the Noosa place is of major community infrastructure such as libraries,
ongoing today. gallery, an aquatic centre and sporting facilities.
During this period, key community arts and heritage
The early European settlement period saw a focus
organisations formed in the strong community
on timber and fishing as well as being a gateway to
environment, many of which have survived until
the Gympie goldfields. The natural beauty of the
today.
area was recognised early and Noosa became a
regular tourist destination from the 1960s. The 2008 amalgamation of Noosa Council with the
former Maroochy and Caloundra local governments
It was from the 1960s that the current Noosa
was a pivotal point in the shared community history
Shire story began to emerge. Like many coastal
of Noosa. The Noosa community were strongly
communities, Noosa was facing choices about
opposed to the amalgamation and rallied to protect
how it would develop. The 1980s and 1990s saw
their Shire. Despite not winning the initial campaign
significant environmental battles where the Noosa
in 2008, the Noosa community did not give up
community fought to retain Noosa Shire as a unique
and continued the fight for what they believed in.
place – unfettered by rampant development.
This culminated in the Noosa Council being re-
These environmental battles defined that period
established on 1 January 2014.
and successive Strategic Plans provided a town
planning framework to ensure that Noosa would The Noosa community is now re-defining itself,
differentiate itself from other places. The concept aiming to respect past heritage and community
of a population carrying capacity was introduced values while ensuring we are progressing towards a
together with height limits on buildings and Noosa bright future that is uniquely our own.
Council focused on the “Noosa look and feel” design
of public spaces.
Page 10
Section 11
Sport and Active Recreation Plan
Page 11
; nb
7 t -
‘ ? — ae =
ae oe 2
pe - ae 7 .
a m4 . ‘vr a cnt . 2
vag = ia ee Tod l
ory”
“ a. » a ~
%~ Pe ) 4 ~~ > . . >} x
ay os “~ 7- ee ta 2
ee . d ~ re x ‘\)
s > — 3
aie : ao Y vo ‘
Aa me Fe én ee Fd ~
SR ak wi ay Rs =
o eas rs : 7 5
: wine. ? WwW : : J Z < 4 BS 3 _ _ as
: _ a , Ms < . ms SS . bad + ; 5 1 1 1 19 15 2209 913 86 37 16 ae
5 1 1 1 19 16 2386 893 16 62 33 “A
4 1 1 1 20 0 64 943 2256 89 -1
5 1 1 1 20 1 64 959 45 40 26 yee
5 1 1 1 20 2 139 979 4 3 0 .
5 1 1 1 20 3 232 1004 3 3 11 .
5 1 1 1 20 4 290 962 60 16 57 =”
5 1 1 1 20 5 371 971 46 33 33 as
5 1 1 1 20 6 471 955 9 37 21 re
5 1 1 1 20 7 551 954 68 50 28 cae
5 1 1 1 20 8 629 963 27 35 0 eo
5 1 1 1 20 9 727 966 59 40 49 a?
5 1 1 1 20 10 1312 980 7 6 0 .
5 1 1 1 20 11 1629 966 14 30 0 c
5 1 1 1 20 12 1667 957 42 26 60 &
5 1 1 1 20 13 1727 955 43 59 13 wy
5 1 1 1 20 14 1949 977 31 41 18 Y
5 1 1 1 20 15 2081 943 35 69 25 4
5 1 1 1 20 16 2150 943 74 89 0 ”,
5 1 1 1 20 17 2318 976 2 2 86 .
4 1 1 1 21 0 126 1008 2065 51 -1
5 1 1 1 21 1 126 1014 8 33 0 Ms
5 1 1 1 21 2 237 1015 45 26 0 .-.
5 1 1 1 21 3 310 1024 34 23 8 ~e
5 1 1 1 21 4 399 1023 19 28 41 7
5 1 1 1 21 5 445 1011 61 32 0 ©
5 1 1 1 21 6 551 1019 44 23 28 ad
5 1 1 1 21 7 650 1013 47 20 13 a
5 1 1 1 21 8 739 1020 30 33 14 et
5 1 1 1 21 9 797 1037 2 3 20 ;
5 1 1 1 21 10 1308 1044 8 5 65 A
5 1 1 1 21 11 1376 1013 30 32 5 ry
5 1 1 1 21 12 1626 1008 15 51 21 |
5 1 1 1 21 13 1686 1014 11 34 0 es
5 1 1 1 21 14 1729 1021 4 23 14 4
5 1 1 1 21 15 1767 1023 57 23 25 Bey,
5 1 1 1 21 16 1944 1030 2 5 8 ;
5 1 1 1 21 17 2022 1015 17 32 7 a»
5 1 1 1 21 18 2105 1032 5 5 46 Jn
5 1 1 1 21 19 2175 1017 16 26 81 4
4 1 1 1 22 0 410 1039 1855 65 -1
5 1 1 1 22 1 295 1039 516 57 0 s**t
5 1 1 1 22 2 1610 1049 74 28 13 2A
5 1 1 1 22 3 2087 1039 178 65 25 RNS,
4 1 1 1 23 0 43 1071 2191 55 -1
5 1 1 1 23 1 43 1078 26 30 1 Cf
5 1 1 1 23 2 255 1082 12 30 62 be
5 1 1 1 23 3 325 1074 15 16 39 P
5 1 1 1 23 4 383 1097 7 8 0 o
5 1 1 1 23 5 435 1092 6 7 0 \
5 1 1 1 23 6 651 1091 3 12 0 .
5 1 1 1 23 7 672 1086 47 36 6 at
5 1 1 1 23 8 772 1071 14 18 15 .
5 1 1 1 23 9 836 1086 16 20 85 c
5 1 1 1 23 10 1149 1108 4 1 0 ‘
5 1 1 1 23 11 1639 1098 6 5 0 .
5 1 1 1 23 12 1694 1078 31 30 43 ye
5 1 1 1 23 13 1763 1079 13 47 17 ec
5 1 1 1 23 14 1810 1100 2 5 0 ;
5 1 1 1 23 15 1900 1073 44 38 0 “R
5 1 1 1 23 16 1959 1072 51 27 0 _—
5 1 1 1 23 17 2114 1102 20 16 45 =
5 1 1 1 23 18 2212 1086 22 26 42 a
4 1 1 1 24 0 251 1095 2171 69 -1
5 1 1 1 24 1 341 1110 139 39 38 bet
5 1 1 1 24 2 617 1128 154 19 20 RL
5 1 1 1 24 3 1352 1114 411 35 23 ee:
5 1 1 1 24 4 1880 1095 67 61 42 Ne
5 1 1 1 24 5 2252 1122 3 4 32 >
5 1 1 1 24 6 2270 1099 152 65 28 os
4 1 1 1 25 0 441 1144 1980 35 -1
5 1 1 1 25 1 441 1147 82 31 38 oS
5 1 1 1 25 2 683 1148 48 31 31 at
5 1 1 1 25 3 972 1148 242 30 27 See.
5 1 1 1 25 4 1896 1146 7 6 21 :
5 1 1 1 25 5 2021 1154 66 20 12 ak
5 1 1 1 25 6 2272 1144 5 8 21 7
5 1 1 1 25 7 2323 1157 98 17 43 a
4 1 1 1 26 0 108 1158 2280 51 -1
5 1 1 1 26 1 108 1177 11 12 5 :
5 1 1 1 26 2 216 1176 6 8 55 :
5 1 1 1 26 3 350 1180 77 22 50 iy
5 1 1 1 26 4 472 1191 22 16 31 Ae
5 1 1 1 26 5 687 1178 41 23 0 a
5 1 1 1 26 6 959 1164 104 42 21 gro
5 1 1 1 26 7 1640 1158 68 46 26 a
5 1 1 1 26 8 2221 1189 24 10 33 es
5 1 1 1 26 9 2289 1162 22 31 38 La
4 1 1 1 27 0 183 1174 2243 99 -1
5 1 1 1 27 1 183 1200 225 43 4 kes
5 1 1 1 27 2 452 1206 57 12 16 ae
5 1 1 1 27 3 648 1203 67 20 11 _
5 1 1 1 27 4 805 1236 15 11 26 «
5 1 1 1 27 5 959 1186 188 57 18 (ere
5 1 1 1 27 6 1192 1182 94 89 27 MNT
5 1 1 1 27 7 1741 1208 37 32 0 ¥
5 1 1 1 27 8 1907 1174 26 50 54 4
5 1 1 1 27 9 2020 1207 21 12 22 T
4 1 1 1 28 0 178 1219 2224 95 -1
5 1 1 1 28 1 178 1250 9 9 0 OU
5 1 1 1 28 2 246 1240 17 30 61 4
5 1 1 1 28 3 296 1242 7 20 0 p
5 1 1 1 28 4 375 1242 3 2 30 .
5 1 1 1 28 5 474 1245 4 5 77 i
5 1 1 1 28 6 686 1249 12 10 0 «
5 1 1 1 28 7 935 1259 6 9 0 y
5 1 1 1 28 8 963 1238 51 37 34 yas
5 1 1 1 28 9 1036 1239 74 26 49 a>
5 1 1 1 28 10 1131 1235 36 17 47 =
5 1 1 1 28 11 1311 1241 10 17 0 .
5 1 1 1 28 12 1531 1250 27 27 43 ott
5 1 1 1 28 13 1751 1219 25 95 39 “4
5 1 1 1 28 14 1984 1253 4 14 37 é
5 1 1 1 28 15 2044 1243 3 4 0 :
5 1 1 1 28 16 2121 1261 55 10 2 le,
5 1 1 1 28 17 2346 1257 8 10 26 A
5 1 1 1 28 18 2378 1243 24 20 26 a
4 1 1 1 29 0 78 1265 2297 26 -1
5 1 1 1 29 1 78 1270 13 6 42 —
5 1 1 1 29 2 964 1269 115 18 37 ————
5 1 1 1 29 3 1219 1275 55 13 0 =
5 1 1 1 29 4 1498 1265 41 20 50 ae
5 1 1 1 29 5 1634 1274 4 17 0 ;
5 1 1 1 29 6 1917 1270 54 8 0 o
5 1 1 1 29 7 2315 1275 26 5 7 ~
4 1 1 1 30 0 73 1266 2333 58 -1
5 1 1 1 30 1 73 1284 54 14 68 -
5 1 1 1 30 2 333 1307 1 3 38 |
5 1 1 1 30 3 412 1293 19 18 0 oy
5 1 1 1 30 4 639 1290 65 24 65 )
5 1 1 1 30 5 965 1290 82 27 55 a=
5 1 1 1 30 6 1247 1288 59 30 3 SY
5 1 1 1 30 7 1503 1279 7 10 44 .
5 1 1 1 30 8 1962 1293 4 7 43 ae
5 1 1 1 30 9 2246 1308 7 5 22 J
5 1 1 1 30 10 2361 1273 45 42 54 oS
4 1 1 1 31 0 398 1314 1933 57 -1
5 1 1 1 31 1 437 1332 8 14 0 a
5 1 1 1 31 2 578 1336 2 4 20 :
5 1 1 1 31 3 598 1314 21 57 49 i
5 1 1 1 31 4 934 1337 8 7 22 ge
5 1 1 1 31 5 1308 1324 15 30 21 fe
5 1 1 1 31 6 1437 1342 4 5 18 ,
5 1 1 1 31 7 1743 1338 3 4 39 }
5 1 1 1 31 8 1826 1339 5 3 0 c
5 1 1 1 31 9 1877 1334 6 22 42 ;
5 1 1 1 31 10 1945 1324 24 30 17 “A
5 1 1 1 31 11 2109 1340 2 3 31 .
5 1 1 1 31 12 2256 1344 3 2 36 7
5 1 1 1 31 13 2322 1335 9 12 7
Gg | ie ¥ , iw x re r .S Pas £ ENN ee ro al s « i
4 » + ; ~~ HES co a : x 7 . j /, _ ¥
‘i 5 1 1 1 34 3 868 1399 2 2 61 |
5 1 1 1 34 4 903 1342 50 84 17 y
5 1 1 1 34 5 981 1389 293 43 43 io
5 1 1 1 34 6 1340 1384 127 54 26 Cs
5 1 1 1 34 7 1468 1391 25 42 22 a
5 1 1 1 34 8 1532 1393 131 42 45 SUG
5 1 1 1 34 9 1707 1397 72 35 7 Ne
5 1 1 1 34 10 1843 1381 51 50 36 ee
5 1 1 1 34 11 1941 1402 41 11 37 a
5 1 1 1 34 12 2069 1417 5 4 0 :
5 1 1 1 34 13 2262 1412 83 19 24 AS)
5 1 1 1 34 14 2351 1384 32 54 4 Se
4 1 1 1 35 0 495 1420 1932 41 -1
5 1 1 1 35 1 495 1420 143 38 31 ~~
5 1 1 1 35 2 944 1427 33 26 44 i
5 1 1 1 35 3 1145 1438 4 9 32 .
5 1 1 1 35 4 1203 1443 2 2 25 >
5 1 1 1 35 5 1257 1433 15 15 0 >
5 1 1 1 35 6 1407 1432 57 20 28 So
5 1 1 1 35 7 1831 1450 4 3 0 ¢
5 1 1 1 35 8 2317 1432 77 15 45 ae
5 1 1 1 35 9 2394 1425 33 21 58 >
4 1 1 1 36 0 290 1445 2089 47 -1
5 1 1 1 36 1 290 1461 23 20 0 »
5 1 1 1 36 2 502 1449 27 22 27 oa
5 1 1 1 36 3 647 1471 1 3 31 Fi
5 1 1 1 36 4 873 1453 112 29 52 WZ
5 1 1 1 36 5 1156 1455 110 37 27 vg
5 1 1 1 36 6 1283 1462 13 11 20 5
5 1 1 1 36 7 1316 1447 151 34 32 MEM
5 1 1 1 36 8 1579 1453 128 32 13 eS,
5 1 1 1 36 9 1817 1445 119 39 20 Se!
5 1 1 1 36 10 1992 1467 6 5 39 ae
5 1 1 1 36 11 2117 1457 10 16 5 a
5 1 1 1 36 12 2283 1479 2 2 18 ws
5 1 1 1 36 13 2373 1459 6 5 6 /
4 1 1 1 37 0 339 1471 2044 46 -1
5 1 1 1 37 1 434 1487 33 9 36 NZ
5 1 1 1 37 2 851 1479 15 26 0 oD
5 1 1 1 37 3 943 1478 62 24 15 i
5 1 1 1 37 4 1299 1447 47 92 38 ey
5 1 1 1 37 5 1467 1483 39 13 52 Veg
5 1 1 1 37 6 1564 1471 49 38 27 ha
5 1 1 1 37 7 1643 1475 112 25 28 Re
5 1 1 1 37 8 2078 1475 101 19 18 See
5 1 1 1 37 9 2372 1498 11 12 9 ,
4 1 1 1 38 0 196 1486 2085 61 -1
5 1 1 1 38 1 196 1499 28 24 30 a
5 1 1 1 38 2 410 1500 21 16 47 A
5 1 1 1 38 3 648 1496 35 51 19 be
5 1 1 1 38 4 786 1503 75 15 0 :o.
5 1 1 1 38 5 1140 1511 39 11 38 ia
5 1 1 1 38 6 1204 1509 16 23 36 9
5 1 1 1 38 7 1387 1504 86 33 28 V8
5 1 1 1 38 8 1808 1494 26 51 51 Ww
5 1 1 1 38 9 1950 1518 9 14 21 5
5 1 1 1 38 10 2359 1508 23 8 32 ae
4 1 1 1 39 0 85 1507 2154 70 -1
5 1 1 1 39 1 85 1525 17 25 67 0
5 1 1 1 39 2 116 1509 59 45 47 dean
5 1 1 1 39 3 399 1533 11 4 0 “
5 1 1 1 39 4 537 1508 104 69 32 eS
5 1 1 1 39 5 706 1508 38 51 38 bas
5 1 1 1 39 6 1139 1507 170 63 36 ———
5 1 1 1 39 7 1463 1529 63 13 27 lari
5 1 1 1 39 8 1590 1527 95 28 16 i,
5 1 1 1 39 9 1809 1531 154 22 37 aa,
5 1 1 1 39 10 2095 1533 32 13 28 WR
5 1 1 1 39 11 2231 1536 8 14 32 3
4 1 1 1 40 0 110 1536 2264 53 -1
5 1 1 1 40 1 110 1557 4 3 41 J
5 1 1 1 40 2 138 1536 49 53 46 >,
5 1 1 1 40 3 302 1552 48 26 91 =
5 1 1 1 40 4 611 1569 3 3 0 :
5 1 1 1 40 5 711 1572 2 2 61 i
5 1 1 1 40 6 974 1552 3 2 0 .
5 1 1 1 40 7 1058 1568 3 4 17 :
5 1 1 1 40 8 1124 1549 17 6 31 Pe
5 1 1 1 40 9 1342 1544 93 17 48 oe
5 1 1 1 40 10 1478 1560 28 28 31 a
5 1 1 1 40 11 1558 1536 53 34 45 a
5 1 1 1 40 12 1665 1553 20 19 9 en
5 1 1 1 40 13 1720 1547 136 18 53 SNe
5 1 1 1 40 14 1883 1554 32 21 40 SN
5 1 1 1 40 15 1978 1547 26 32 47 &
5 1 1 1 40 16 2059 1555 69 18 48 a
5 1 1 1 40 17 2364 1556 10 12 0 %
4 1 1 1 41 0 53 1568 2150 46 -1
5 1 1 1 41 1 53 1579 17 17 48 ”
5 1 1 1 41 2 157 1577 134 19 54 QS
5 1 1 1 41 3 344 1584 15 13 83 =
5 1 1 1 41 4 463 1571 46 34 35 y=
5 1 1 1 41 5 715 1589 1 3 0 \
5 1 1 1 41 6 1051 1573 121 20 0 a
5 1 1 1 41 7 1207 1576 19 23 31 ae
5 1 1 1 41 8 1313 1594 2 3 0 :
5 1 1 1 41 9 1335 1568 36 46 81 7
5 1 1 1 41 10 1672 1575 25 31 29 6
5 1 1 1 41 11 1789 1577 91 13 9 See,
5 1 1 1 41 12 2043 1577 7 4 0 z
5 1 1 1 41 13 2111 1594 3 5 39 Va
4 1 1 1 42 0 64 1590 2369 59 -1
5 1 1 1 42 1 64 1599 142 27 38 (iia
5 1 1 1 42 2 416 1606 75 21 10 OF
5 1 1 1 42 3 781 1593 60 45 17 ‘aoe
5 1 1 1 42 4 1254 1590 48 59 23 ee
5 1 1 1 42 5 1683 1600 104 32 14 ea
5 1 1 1 42 6 1941 1610 4 4 41 oD
5 1 1 1 42 7 1989 1606 81 13 52 cm
5 1 1 1 42 8 2238 1606 5 4 29 oy
5 1 1 1 42 9 2413 1621 20 10 19 es
4 1 1 1 43 0 58 1619 2337 49 -1
5 1 1 1 43 1 58 1620 37 49 37 WN
5 1 1 1 43 2 103 1631 76 22 0 OF,
5 1 1 1 43 3 331 1639 23 15 7 &
5 1 1 1 43 4 412 1639 25 19 40 Ty
5 1 1 1 43 5 461 1624 13 8 37 2
5 1 1 1 43 6 740 1619 25 49 54 4.
5 1 1 1 43 7 1212 1619 113 49 16 Pre
5 1 1 1 43 8 1659 1626 33 26 0 Sg
5 1 1 1 43 9 1708 1625 80 7 38 SS
5 1 1 1 43 10 2057 1648 14 15 0 P
5 1 1 1 43 11 2182 1624 31 34 6 Cae
4 1 1 1 44 0 104 1640 2326 55 -1
5 1 1 1 44 1 104 1640 34 55 31 ‘i
5 1 1 1 44 2 1191 1649 142 33 1 hea
5 1 1 1 44 3 1654 1668 6 6 0 :
5 1 1 1 44 4 2029 1680 4 1 35 5
5 1 1 1 44 5 2186 1668 44 14 0 o%
5 1 1 1 44 6 2425 1670 5 5 47 ae
4 1 1 1 45 0 69 1655 2357 64 -1
5 1 1 1 45 1 69 1655 279 59 12 Veen
5 1 1 1 45 2 1150 1667 121 48 41 Peas
5 1 1 1 45 3 1607 1687 3 3 2 :
5 1 1 1 45 4 1930 1675 254 44 21 et.
4 1 1 1 46 0 54 1693 2378 61 -1
5 1 1 1 46 1 54 1698 65 49 5 aah
5 1 1 1 46 2 346 1709 47 31 40 Sis.
5 1 1 1 46 3 412 1710 92 25 39 ee
5 1 1 1 46 4 1024 1726 39 9 0 se
5 1 1 1 46 5 1188 1708 81 40 46 =
5 1 1 1 46 6 1616 1706 28 53 18 oe
5 1 1 1 46 7 2064 1708 39 31 13 re
5 1 1 1 46 8 2176 1710 56 28 9 Sf
5 1 1 1 46 9 2276 1693 34 61 11 &
5 1 1 1 46 10 2340 1708 92 34 18 ati
4 1 1 1 47 0 37 1730 2386 67 -1
5 1 1 1 47 1 37 1730 109 67 34 ret
5 1 1 1 47 2 969 1753 27 26 0 -
5 1 1 1 47 3 1138 1740 140 44 0 —
5 1 1 1 47 4 1585 1746 50 43 0 if
5 1 1 1 47 5 1683 1741 44 42 0 iE
5 1 1 1 47 6 2095 1749 104 44 54 ek
5 1 1 1 47 7 2233 1739 156 45 42 Soon
4 1 1 1 48 0 564 1786 1531 46 -1
5 1 1 1 48 1 564 1796 172 32 41 ==
5 1 1 1 48 2 975 1786 320 46 25 a
5 1 1 1 48 3 1592 1803 65 24 35 i
5 1 1 1 48 4 2091 1789 245 41 23 A
4 1 1 1 49 0 55 1819 2321 39 -1
5 1 1 1 49 1 55 1848 10 6 49 a
5 1 1 1 49 2 714 1847 4 1 0 é
5 1 1 1 49 3 977 1830 27 24 7 ne
5 1 1 1 49 4 1206 1819 123 39 35 ia
5 1 1 1 49 5 1591 1835 45 22 0 e
5 1 1 1 49 6 2123 1821 21 36 25 x
5 1 1 1 49 7 2263 1831 113 25 20 ae
4 1 1 1 50 0 591 1836 1747 61 -1
5 1 1 1 50 1 591 1857 15 23 0 -
5 1 1 1 50 2 958 1836 24 42 10 ro
5 1 1 1 50 3 1117 1877 10 7 0 ,
5 1 1 1 50 4 1322 1866 17 22 26 >
5 1 1 1 50 5 1586 1859 49 29 0 e
5 1 1 1 50 6 1944 1885 3 1 56 ‘
5 1 1 1 50 7 2085 1858 45 29 3 Y
5 1 1 1 50 8 2195 1850 103 47 25 NN
5 1 1 1 50 9 2319 1869 19 21 31 x
4 1 1 1 51 0 503 1880 1849 57 -1
5 1 1 1 51 1 503 1887 85 46 45 zy
5 1 1 1 51 2 989 1889 25 36 36 oe
5 1 1 1 51 3 1073 1882 43 35 56 dl
5 1 1 1 51 4 1276 1884 93 37 43 ei.)
5 1 1 1 51 5 1451 1895 58 33 50 2
5 1 1 1 51 6 1927 1885 19 19 0 “
5 1 1 1 51 7 2178 1876 30 58 19 ee
4 1 1 1 52 0 492 1927 1793 23 -1
5 1 1 1 52 1 492 1930 15 10 41 4
5 1 1 1 52 2 1005 1932 6 2 39 c
5 1 1 1 52 3 1118 1927 38 18 21 ae
5 1 1 1 52 4 1362 1914 20 38 33 an
5 1 1 1 52 5 1390 1929 25 19 19 >
5 1 1 1 52 6 1464 1933 17 10 0 We
5 1 1 1 52 7 2232 1930 53 20 41 eos
4 1 1 1 53 0 524 1930 1896 55 -1
5 1 1 1 53 1 524 1933 37 39 0 v
5 1 1 1 53 2 1020 1944 29 39 73 v
5 1 1 1 53 3 1158 1944 243 41 12 mee
5 1 1 1 53 4 2025 1957 20 19 24 SE
5 1 1 1 53 5 2093 1975 11 4 32 Pe
5 1 1 1 53 6 2203 1948 68 35 10 US
5 1 1 1 53 7 2270 1948 89 37 0 FRR
4 1 1 1 54 0 709 1990 1720 69 -1
5 1 1 1 54 1 709 2003 21 39 46 il
5 1 1 1 54 2 865 2020 30 26 39 VA
5 1 1 1 54 3 911 2012 27 29 50 NY
5 1 1 1 54 4 959 2033 1 3 0 ,
5 1 1 1 54 5 981 1999 25 50 42 a
5 1 1 1 54 6 1257 1998 69 51 0 rg
5 1 1 1 54 7 1347 2008 30 38 13 ee
5 1 1 1 54 8 1517 1997 35 62 3 e
5 1 1 1 54 9 1627 2010 32 21 37 “i
5 1 1 1 54 10 1740 2020 21 15 54 =
5 1 1 1 54 11 2093 1990 12 60 37 \.
5 1 1 1 54 12 2132 1995 21 26 65 ‘
5 1 1 1 54 13 2165 1996 58 21 17 Pr,
5 1 1 1 54 14 2295 1999 10 15 42 3
5 1 1 1 54 15 2316 1996 12 52 0 DS
5 1 1 1 54 16 2368 2010 8 11 79 2
5 1 1 1 54 17 2411 2012 18 27 15 .
4 1 1 1 55 0 686 2046 1641 40 -1
5 1 1 1 55 1 697 2056 7 26 14 _—
5 1 1 1 55 2 844 2052 18 12 0 y
5 1 1 1 55 3 898 2063 7 16 54 \
5 1 1 1 55 4 907 2057 21 27 27 Se
5 1 1 1 55 5 947 2057 38 24 14 a
5 1 1 1 55 6 1016 2068 4 10 41 7
5 1 1 1 55 7 1068 2059 12 27 36 os
5 1 1 1 55 8 1283 2051 19 26 0 <
5 1 1 1 55 9 1332 2052 39 21 42 ala
5 1 1 1 55 10 1484 2046 8 7 0 ;
5 1 1 1 55 11 1679 2074 10 5 23 -
5 1 1 1 55 12 2208 2059 28 14 36 =
5 1 1 1 55 13 2318 2050 9 7 87 3
4 1 1 1 56 0 697 2060 1724 53 -1
5 1 1 1 56 1 697 2077 55 26 39 iS
5 1 1 1 56 2 790 2077 13 29 33 A
5 1 1 1 56 3 811 2079 9 30 0 ¥
5 1 1 1 56 4 849 2081 50 20 0 ,
5 1 1 1 56 5 919 2082 24 6 44 Sa
5 1 1 1 56 6 973 2060 110 49 56 Ge
5 1 1 1 56 7 1125 2077 19 10 38 -
5 1 1 1 56 8 1332 2062 75 51 38 aa
5 1 1 1 56 9 1705 2085 3 1 21 .
5 1 1 1 56 10 1888 2107 3 3 13 4
5 1 1 1 56 11 2114 2082 21 28 26 vr
5 1 1 1 56 12 2194 2088 31 5 34 -*
5 1 1 1 56 13 2275 2090 2 2 34 5
5 1 1 1 56 14 2393 2097 28 14 50 a
4 1 1 1 57 0 643 2081 1788 71 -1
5 1 1 1 57 1 643 2123 1 3 0 .
5 1 1 1 57 2 670 2111 117 23 38 Was
5 1 1 1 57 3 908 2096 28 56 23 BB
5 1 1 1 57 4 959 2096 47 56 40 aad
5 1 1 1 57 5 1503 2081 68 59 39 iad
5 1 1 1 57 6 2111 2109 79 32 34 ae
5 1 1 1 57 7 2365 2123 66 19 21 on
4 1 1 1 58 0 612 2128 1784 52 -1
5 1 1 1 58 1 612 2134 38 37 33 wh
5 1 1 1 58 2 665 2128 62 52 58 Ne
5 1 1 1 58 3 800 2137 194 37 9 pis
| \ ~S a ‘
dh 2 te a ° we
atin oF ce ; el
+ ra cs : a
5 1 1 1 62 2 1925 2287 13 37 0 p
5 1 1 1 62 3 2076 2294 134 28 36 a~,*
5 1 1 1 62 4 2205 2290 32 38 57 7
5 1 1 1 62 5 2235 2299 62 25 38 Le
5 1 1 1 62 6 2378 2319 8 6 0 ‘
4 1 1 1 63 0 53 2322 2361 30 -1
5 1 1 1 63 1 53 2331 26 3 88 ~
5 1 1 1 63 2 161 2338 62 5 24 as
5 1 1 1 63 3 248 2311 30 39 47 Sa
5 1 1 1 63 4 396 2332 54 17 68 prs
5 1 1 1 63 5 591 2335 4 2 0 '
5 1 1 1 63 6 999 2322 26 11 32 bs
5 1 1 1 63 7 2101 2339 1 2 28 —
5 1 1 1 63 8 2389 2327 25 17 44 SN
4 1 1 1 64 0 265 2344 2152 45 -1
5 1 1 1 64 1 265 2383 3 3 46 :
5 1 1 1 64 2 290 2351 6 14 76 ‘
5 1 1 1 64 3 324 2364 32 25 33 if
5 1 1 1 64 4 403 2347 36 40 25 Rs
5 1 1 1 64 5 492 2363 1 3 0 c
5 1 1 1 64 6 641 2368 1 3 0
z . = a a" Tk:
Ts es NS ™~ ‘ “ yy~F ic
——— <a, yy es
- 7, ‘ aie =
> wit . . ee ie 4 1 1 1 69 0 81 2510 1065 24 -1
5 1 1 1 69 1 156 2519 24 5 21 a
5 1 1 1 69 2 198 2523 18 3 0 a
5 1 1 1 69 3 242 2520 75 12 21 Ee
5 1 1 1 69 4 985 2510 25 24 60 if
5 1 1 1 69 5 1115 2514 31 19 5 SS
4 1 1 1 70 0 53 2509 2367 65 -1
5 1 1 1 70 1 53 2532 19 36 91 =
5 1 1 1 70 2 81 2542 34 31 59 —<
5 1 1 1 70 3 126 2536 36 31 27 a
5 1 1 1 70 4 167 2532 39 42 24 ae
5 1 1 1 70 5 500 2538 23 24 0 ei
5 1 1 1 70 6 772 2541 19 23 63 Me
5 1 1 1 70 7 1392 2539 12 32 0 .
5 1 1 1 70 8 1521 2568 5 3 0 ,
5 1 1 1 70 9 2036 2563 6 4 0 -
5 1 1 1 70 10 2116 2544 58 20 9 a’
5 1 1 1 70 11 2397 2509 23 43 31 \
4 1 1 1 71 0 53 2561 2285 51 -1
5 1 1 1 71 1 53 2570 227 42 49 ——
5 1 1 1 71 2 294 2573 133 27 41 ee
5 1 1 1 71 3 1054 2582 27 25 63 x
5 1 1 1 71 4 1546 2561 49 28 0 7
5 1 1 1 71 5 2038 2591 23 13 0 .
5 1 1 1 71 6 2094 2561 74 43 23 4
4 1 1 1 72 0 75 2602 2259 37 -1
5 1 1 1 72 1 75 2609 49 16 9 nr
5 1 1 1 72 2 132 2607 130 31 29 eG
5 1 1 1 72 3 2121 2602 21 37 0 7
5 1 1 1 72 4 2327 2614 7 8 0 ’
4 1 1 1 73 0 99 2630 150 29 -1
5 1 1 1 73 1 99 2630 40 29 37 el
5 1 1 1 73 2 145 2630 35 29 29 age
5 1 1 1 73 3 243 2645 6 8 0 <
4 1 1 1 74 0 53 2651 2189 21 -1
5 1 1 1 74 1 53 2652 58 19 67 —
5 1 1 1 74 2 134 2651 8 7 8 J
5 1 1 1 74 3 1954 2669 3 3 56 ,
5 1 1 1 74 4 2238 2657 4 4 0 .
4 1 1 1 75 0 53 2671 2049 26 -1
5 1 1 1 75 1 202 2682 38 15 23 A
5 1 1 1 75 2 1932 2688 6 6 33 -
5 1 1 1 75 3 2080 2673 22 14 43 a
4 1 1 1 76 0 53 2693 2133 31 -1
5 1 1 1 76 1 53 2697 5 1 37 _
5 1 1 1 76 2 203 2699 64 25 22 ae
5 1 1 1 76 3 1871 2701 8 3 0 1
5 1 1 1 76 4 2044 2693 4 5 21 —
5 1 1 1 76 5 2138 2681 30 59 21 Ss
4 1 1 1 77 0 114 2733 1932 47 -1
5 1 1 1 77 1 114 2742 42 37 0 °)
5 1 1 1 77 2 212 2743 33 34 36 aa
5 1 1 1 77 3 341 2741 2 3 0 .
5 1 1 1 77 4 556 2774 10 6 0 P
5 1 1 1 77 5 612 2737 6 29 47 {
5 1 1 1 77 6 705 2776 5 3 0 ,
5 1 1 1 77 7 742 2745 19 21 1 n
5 1 1 1 77 8 1017 2744 8 8 65 x
5 1 1 1 77 9 1402 2766 13 14 0 r
5 1 1 1 77 10 1482 2733 20 44 0 7.
5 1 1 1 77 11 1591 2769 3 5 46 ;
5 1 1 1 77 12 1851 2746 8 8 0 -
5 1 1 1 77 13 2038 2740 8 10 0 .
4 1 1 1 78 0 64 2779 2024 29 -1
5 1 1 1 78 1 64 2780 21 10 0 SS
5 1 1 1 78 2 161 2782 78 22 0 ae
5 1 1 1 78 3 353 2782 6 3 0 ;
5 1 1 1 78 4 444 2797 31 7 34 =
5 1 1 1 78 5 687 2780 15 8 17 ,
5 1 1 1 78 6 1410 2763 38 50 23 Lh
5 1 1 1 78 7 1497 2763 14 50 28 é&
5 1 1 1 78 8 2037 2790 51 13 58 aN
4 1 1 1 79 0 60 2766 1406 66 -1
5 1 1 1 79 1 60 2812 7 8 34 -
5 1 1 1 79 2 143 2803 106 21 34 Cee
5 1 1 1 79 3 451 2807 24 11 31 ot
5 1 1 1 79 4 550 2796 26 19 13 AL
5 1 1 1 79 5 618 2810 14 15 9 74
5 1 1 1 79 6 646 2785 38 37 77 Z
5 1 1 1 79 7 710 2798 8 34 28 fe
5 1 1 1 79 8 1072 2812 2 2 0 :
5 1 1 1 79 9 1375 2766 57 66 36 VB
5 1 1 1 79 10 1462 2806 4 7 19 ’
4 1 1 1 80 0 58 2819 1581 54 -1
5 1 1 1 80 1 241 2830 127 22 29 ESE
5 1 1 1 80 2 390 2835 66 18 14 ees
5 1 1 1 80 3 480 2833 47 18 38 A
5 1 1 1 80 4 543 2819 198 54 5 ee
5 1 1 1 80 5 1419 2840 27 12 44 =
5 1 1 1 80 6 1593 2822 46 32 49 a
4 1 1 1 81 0 56 2810 1569 85 -1
5 1 1 1 81 1 56 2847 307 42 37 ee
5 1 1 1 81 2 383 2851 161 44 41 OE
5 1 1 1 81 3 591 2856 78 29 43 pe,
5 1 1 1 81 4 747 2848 67 29 36 FS
5 1 1 1 81 5 988 2825 35 58 52 ‘Aff
5 1 1 1 81 6 1068 2854 67 7 38 Ser
5 1 1 1 81 7 1355 2810 82 75 34 Ae,
5 1 1 1 81 8 1462 2858 76 29 43 ans
5 1 1 1 81 9 1589 2853 36 17 31 |:
4 1 1 1 82 0 53 2870 1418 39 -1
5 1 1 1 82 1 53 2896 23 4 23 eee
5 1 1 1 82 2 104 2892 59 8 19 oe
5 1 1 1 82 3 268 2868 48 47 14 us
5 1 1 1 82 4 344 2897 6 3 16 eS
5 1 1 1 82 5 449 2882 88 27 28 eget
5 1 1 1 82 6 667 2874 31 32 20 4)
5 1 1 1 82 7 849 2866 48 48 19 ie
5 1 1 1 82 8 941 2870 37 39 61 a
5 1 1 1 82 9 1120 2886 13 13 0 o
5 1 1 1 82 10 1326 2892 20 3 10 Es
5 1 1 1 82 11 1468 2894 3 5 0 '
4 1 1 1 83 0 53 2882 1578 53 -1
5 1 1 1 83 1 53 2897 56 32 31 gee
5 1 1 1 83 2 112 2882 90 47 28 pce
5 1 1 1 83 3 259 2900 17 29 26 me
5 1 1 1 83 4 322 2903 22 27 11 |
5 1 1 1 83 5 364 2900 31 30 35 BS
5 1 1 1 83 6 472 2920 2 2 0 art
5 1 1 1 83 7 571 2913 52 14 0 IE
5 1 1 1 83 8 639 2898 93 37 40 SOM
5 1 1 1 83 9 823 2905 113 30 34 ea
5 1 1 1 83 10 1047 2914 6 6 0 s
5 1 1 1 83 11 1228 2889 69 38 20 +)
5 1 1 1 83 12 1306 2885 170 42 3 eS
5 1 1 1 83 13 1576 2904 55 31 1 a
5 1 1 1 83 14 1654 2911 20 12 0 F%
4 1 1 1 84 0 53 2914 1456 54 -1
5 1 1 1 84 1 370 2929 21 28 27 IS
5 1 1 1 84 2 464 2922 237 36 33 BE
5 1 1 1 84 3 676 2914 53 57 43 as
5 1 1 1 84 4 807 2914 62 54 41 7
5 1 1 1 84 5 887 2931 79 28 23 Bis
5 1 1 1 84 6 946 2925 46 45 34 ree
5 1 1 1 84 7 1137 2952 2 2 7 SS
5 1 1 1 84 8 1207 2919 239 38 24 EBVO
4 1 1 1 85 0 53 2944 1482 66 -1
5 1 1 1 85 1 53 2953 265 41 21 eee
5 1 1 1 85 2 324 2949 236 40 24 yO
5 1 1 1 85 3 629 2951 166 47 26 eC
5 1 1 1 85 4 1185 2957 183 53 25 Pe,
5 1 1 1 85 5 1320 2940 77 76 27 PU
5 1 1 1 85 6 1484 2950 67 37 31 SoZ
4 1 1 1 86 0 53 2980 2292 37 -1
5 1 1 1 86 1 53 2983 246 32 3 5
5 1 1 1 86 2 316 2984 55 5 46 POR
5 1 1 1 86 3 482 2983 75 30 23 VN
5 1 1 1 86 4 571 2989 136 28 18 OAS
5 1 1 1 86 5 740 2991 3 5 12 en
5 1 1 1 86 6 805 2991 37 17 26 SUE
5 1 1 1 86 7 925 2993 22 17 31 Mie:
5 1 1 1 86 8 1263 2986 60 28 37 re
5 1 1 1 86 9 1345 2985 15 22 29 2
5 1 1 1 86 10 1365 2982 40 22 41 Bit
5 1 1 1 86 11 1416 2977 58 44 53 ay)
5 1 1 1 86 12 1547 2977 45 44 9 ae
5 1 1 1 86 13 2071 2997 3 1 0 ;
5 1 1 1 86 14 2336 2993 9 7 0 .
4 1 1 1 87 0 53 2955 2085 99 -1
5 1 1 1 87 1 53 3005 42 39 17 Se
5 1 1 1 87 2 227 2992 52 61 26 ia
5 1 1 1 87 3 325 3015 70 27 42 See
5 1 1 1 87 4 474 3023 5 5 0 SS
5 1 1 1 87 5 634 2955 108 99 27 oe
5 1 1 1 87 6 749 3009 69 33 4 Y-3)
5 1 1 1 87 7 844 2985 79 69 8 MT.
5 1 1 1 87 8 959 3021 4 3 10 oe
5 1 1 1 87 9 1006 2996 125 48 11 aah
5 1 1 1 87 10 1230 2998 62 56 17 id
5 1 1 1 87 11 1319 3015 92 29 29 iS
5 1 1 1 87 12 1444 3001 221 37 7 hae
5 1 1 1 87 13 2119 3036 19 6 26 =
4 1 1 1 88 0 53 3029 1555 37 -1
5 1 1 1 88 1 53 3042 54 21 0 26)
5 1 1 1 88 2 120 3040 133 23 22 eee
5 1 1 1 88 3 308 3029 68 35 17 Be
5 1 1 1 88 4 524 3031 54 29 24 <5
5 1 1 1 88 5 581 3023 46 49 39 Os
5 1 1 1 88 6 630 3042 257 18 16 bass
5 1 1 1 88 7 972 3024 25 49 0 be
5 1 1 1 88 8 1000 3039 26 18 0 ,
5 1 1 1 88 9 1044 3049 84 11 0 Ree,
5 1 1 1 88 10 1244 3055 4 4 0 ,
5 1 1 1 88 11 1350 3041 63 11 43 ee
5 1 1 1 88 12 1407 3025 61 49 35 FS
4 1 1 1 89 0 53 3035 1634 63 -1
5 1 1 1 89 1 53 3050 215 34 0 bier
5 1 1 1 89 2 316 3045 87 46 7 Bremer
5 1 1 1 89 3 514 3058 37 14 28 “ia,
5 1 1 1 89 4 595 3040 26 49 40 oh
5 1 1 1 89 5 647 3035 55 63 22 I
5 1 1 1 89 6 730 3060 45 23 13 pe
5 1 1 1 89 7 786 3062 46 22 14 Eee
5 1 1 1 89 8 870 3060 82 22 8 OTD
5 1 1 1 89 9 1024 3042 37 49 26 >”
5 1 1 1 89 10 1160 3062 16 19 16 he
5 1 1 1 89 11 1221 3071 3 2 28 ie
5 1 1 1 89 12 1361 3046 52 44 17 SN
5 1 1 1 89 13 1612 3058 45 15 18 ce
4 1 1 1 90 0 53 3068 1632 45 -1
5 1 1 1 90 1 53 3079 54 34 12 Cea
5 1 1 1 90 2 163 3089 8 15 0 a
5 1 1 1 90 3 175 3078 66 26 18 ae
5 1 1 1 90 4 296 3068 57 42 37 fey
5 1 1 1 90 5 457 3084 84 11 19 eae.
5 1 1 1 90 6 627 3099 5 3 72 4
5 1 1 1 90 7 783 3082 148 22 24 Poy
5 1 1 1 90 8 969 3098 3 4 30 a
5 1 1 1 90 9 1022 3070 152 31 12 SE
5 1 1 1 90 10 1203 3082 5 4 22 fae
5 1 1 1 90 11 1317 3091 4 2 18 5
5 1 1 1 90 12 1392 3085 30 14 0 >
5 1 1 1 90 13 1516 3076 18 37 12 is
5 1 1 1 90 14 1615 3088 8 2 46 =
5 1 1 1 90 15 1682 3094 3 3 0 ;
4 1 1 1 91 0 53 3087 1538 58 -1
5 1 1 1 91 1 299 3116 26 7 25 Ae
5 1 1 1 91 2 418 3110 14 15 34 eg
5 1 1 1 91 3 568 3093 88 42 27 EN,
5 1 1 1 91 4 690 3094 149 51 39 ed
5 1 1 1 91 5 912 3095 150 44 17 eg
5 1 1 1 91 6 1138 3087 374 53 18 Oe,
5 1 1 1 91 7 1536 3099 55 27 23 Hae
4 1 1 1 92 0 67 3112 1575 73 -1
5 1 1 1 92 1 67 3124 78 57 41 tee
5 1 1 1 92 2 145 3113 97 72 33 poe
5 1 1 1 92 3 265 3140 1 5 81 AS
5 1 1 1 92 4 284 3119 194 61 12 Ane).
5 1 1 1 92 5 562 3119 118 36 24 oes
5 1 1 1 92 6 705 3130 90 51 23 Se
5 1 1 1 92 7 798 3114 93 40 41 wet
5 1 1 1 92 8 1002 3126 14 11 18 A
5 1 1 1 92 9 1289 3128 22 34 11 A,
5 1 1 1 92 10 1324 3112 39 35 42 LE
5 1 1 1 92 11 1399 3143 6 11 28 tare
5 1 1 1 92 12 1489 3116 153 38 16 oP
4 1 1 1 93 0 108 3136 1452 73 -1
5 1 1 1 93 1 56 3155 20 26 32 Pay
5 1 1 1 93 2 108 3158 27 18 13 glee
5 1 1 1 93 3 157 3165 25 17 29 2
5 1 1 1 93 4 249 3160 58 21 24 Le
5 1 1 1 93 5 402 3161 103 24 0 ea
5 1 1 1 93 6 645 3136 110 73 15 Fre
5 1 1 1 93 7 799 3155 68 23 25 Oe
5 1 1 1 93 8 950 3160 8 10 42 ie
5 1 1 1 93 9 996 3161 12 5 44 LO
5 1 1 1 93 10 1152 3153 52 22 15 pee
5 1 1 1 93 11 1309 3156 26 19 20 ms
5 1 1 1 93 12 1398 3154 57 16 21 Ge
5 1 1 1 93 13 1484 3142 24 61 54 |
5 1 1 1 93 14 1545 3153 15 30 0 %
4 1 1 1 94 0 68 3156 1142 45 -1
5 1 1 1 94 1 68 3170 46 19 6 eke
5 1 1 1 94 2 495 3156 26 45 12 mi
5 1 1 1 94 3 758 3185 5 4 0 :
5 1 1 1 94 4 908 3185 6 3 50 5
5 1 1 1 94 5 1064 3169 146 21 51 RX
4 1 1 1 95 0 69 3157 1413 83 -1
5 1 1 1 95 1 69 3180 66 41 33 Fk
5 1 1 1 95 2 150 3165 57 55 11 5
5 1 1 1 95 3 297 3172 40 44 10 me
5 1 1 1 95 4 347 3195 34 22 1 fe
5 1 1 1 95 5 450 3172 27 48 35 22
5 1 1 1 95 6 507 3165 183 75 40 Wao
5 1 1 1 95 7 835 3183 15 31 0 r
5 1 1 1 95 8 867 3160 40 55 32 7
5 1 1 1 95 9 922 3173 73 60 35 “2
5 1 1 1 95 10 1018 3192 18 34 6 -
5 1 1 1 95 11 1130 3157 35 69 29 ae
5 1 1 1 95 12 1209 3202 3 2 21 mee
5 1 1 1 95 13 1285 3162 72 50 29 we
5 1 1 1 95 14 1380 3185 35 25 0 1
4 1 1 1 96 0 57 3188 1416 78 -1
5 1 1 1 96 1 57 3192 172 70 19 mee
5 1 1 1 96 2 254 3188 20 78 28 TW
5 1 1 1 96 3 341 3214 108 36 11 SL
5 1 1 1 96 4 479 3195 124 67 7 See
5 1 1 1 96 5 632 3208 121 50 28 RR
5 1 1 1 96 6 766 3215 49 34 39 NG
5 1 1 1 96 7 863 3209 69 32 32 OREN
5 1 1 1 96 8 1078 3224 2 2 19 =
5 1 1 1 96 9 1215 3217 109 40 27 EIEN
5 1 1 1 96 10 1356 3217 34 37 39 Pe
4 1 1 1 97 0 55 3232 1497 101 -1
5 1 1 1 97 1 55 3272 4 3 8 Be
5 1 1 1 97 2 77 3244 167 71 20 oe
5 1 1 1 97 3 280 3232 129 84 46 GLU
5 1 1 1 97 4 409 3252 140 48 34 SOE
5 1 1 1 97 5 565 3241 65 92 12 sa
5 1 1 1 97 6 825 3240 41 23 52 AES
5 1 1 1 97 7 900 3248 78 28 34 ES
5 1 1 1 97 8 986 3246 161 31 34 Ae
5 1 1 1 97 9 1163 3241 173 54 25 RD
5 1 1 1 97 10 1421 3242 7 12 16 gn
5 1 1 1 97 11 1548 3258 4 3 26 aie
4 1 1 1 98 0 154 3252 1469 45 -1
5 1 1 1 98 1 82 3277 53 11 32 pete
5 1 1 1 98 2 154 3278 40 13 15 Sota
5 1 1 1 98 3 376 3280 5 5 52 y
5 1 1 1 98 4 519 3252 45 45 53 ph
5 1 1 1 98 5 639 3277 9 6 0 ‘
5 1 1 1 98 6 774 3276 13 10 30 vali
5 1 1 1 98 7 933 3275 11 7 38 ®
5 1 1 1 98 8 1160 3276 113 12 5 Part
5 1 1 1 98 9 1620 3276 3 3 11 :
4 1 1 1 99 0 64 3278 2325 43 -1
5 1 1 1 99 1 64 3278 79 43 15 tnt
5 1 1 1 99 2 144 3278 80 43 10 sete
5 1 1 1 99 3 342 3290 119 20 17 GLA
5 1 1 1 99 4 537 3311 9 4 27 Im
5 1 1 1 99 5 722 3290 16 19 0 GG
5 1 1 1 99 6 796 3288 77 30 38 wee
5 1 1 1 99 7 877 3279 32 46 61 by
5 1 1 1 99 8 988 3286 78 27 30 ee
5 1 1 1 99 9 1096 3293 45 22 37 Oe
5 1 1 1 99 10 1169 3303 33 15 41 a
5 1 1 1 99 11 1276 3282 64 35 21 Aa)
5 1 1 1 99 12 2387 3302 2 3 22 .
4 1 1 1 100 0 58 3277 1317 81 -1
5 1 1 1 100 1 58 3308 106 42 4 Peis
5 1 1 1 100 2 194 3297 15 60 17 te
5 1 1 1 100 3 360 3287 52 61 35 pe
5 1 1 1 100 4 468 3305 27 40 12 Ay
5 1 1 1 100 5 504 3322 78 25 33 a
5 1 1 1 100 6 672 3277 41 81 27 =
5 1 1 1 100 7 713 3281 148 73 26 SASS
5 1 1 1 100 8 1047 3312 118 38 12 ase
5 1 1 1 100 9 1159 3306 36 52 30 a
5 1 1 1 100 10 1372 3318 68 24 25 ae
4 1 1 1 101 0 67 3338 1385 39 -1
5 1 1 1 101 1 67 3344 30 21 3 6
5 1 1 1 101 2 111 3344 118 31 11 i
5 1 1 1 101 3 267 3349 56 22 39 EN
5 1 1 1 101 4 335 3349 82 20 39 ELE
5 1 1 1 101 5 472 3342 246 30 33 (itr
5 1 1 1 101 6 818 3338 97 39 50 eg
5 1 1 1 101 7 933 3342 59 34 45 a
5 1 1 1 101 8 1341 3350 4 23 33 3
5 1 1 1 101 9 1426 3359 26 14 46 =
4 1 1 1 102 0 65 3359 1431 76 -1
5 1 1 1 102 1 65 3364 148 43 16 ee
5 1 1 1 102 2 278 3363 96 54 8 oA
5 1 1 1 102 3 409 3374 4 3 33 .
5 1 1 1 102 4 420 3363 32 48 3 Zp
5 1 1 1 102 5 528 3371 34 19 0 eae
5 1 1 1 102 6 640 3379 8 11 14 SS
5 1 1 1 102 7 740 3367 44 47 20 Pan
5 1 1 1 102 8 783 3367 44 47 41 See
5 1 1 1 102 9 855 3378 79 10 20 cate
5 1 1 1 102 10 1061 3387 16 8 38 ay
5 1 1 1 102 11 1156 3359 37 76 43 ‘
5 1 1 1 102 12 1209 3359 23 34 59 %
5 1 1 1 102 13 1294 3387 5 4 17 4
5 1 1 1 102 14 1359 3360 14 39 10 m
5 1 1 1 102 15 1451 3368 45 11 24 aan
4 1 1 1 103 0 61 3377 1344 64 -1
5 1 1 1 103 1 61 3399 55 20 15 a
5 1 1 1 103 2 178 3397 29 19 4 oe
5 1 1 1 103 3 216 3388 28 32 5 i
5 1 1 1 103 4 243 3395 63 21 40 a
5 1 1 1 103 5 324 3377 54 64 66 J
5 1 1 1 103 6 393 3377 33 64 50 he
5 1 1 1 103 7 524 3397 38 12 33 gee
5 1 1 1 103 8 607 3395 34 25 60 Set
5 1 1 1 103 9 677 3402 11 6 52 SP
5 1 1 1 103 10 873 3394 51 16 11 el
5 1 1 1 103 11 1012 3406 10 7 43 wag
5 1 1 1 103 12 1234 3403 30 10 34 ay
5 1 1 1 103 13 1294 3405 8 8 26 te
5 1 1 1 103 14 1358 3393 47 26 17 ee,
4 1 1 1 104 0 67 3392 1372 62 -1
5 1 1 1 104 1 67 3392 158 60 10 ree
5 1 1 1 104 2 296 3420 5 2 43 -
5 1 1 1 104 3 322 3443 35 11 16 2
5 1 1 1 104 4 433 3395 133 51 18 Dg
5 1 1 1 104 5 581 3403 59 45 31 m9
5 1 1 1 104 6 651 3397 26 46 0 Y
5 1 1 1 104 7 709 3419 14 23 56 4
5 1 1 1 104 8 827 3411 91 29 30 ee
5 1 1 1 104 9 948 3433 50 20 0 e>.
5 1 1 1 104 10 1105 3398 30 60 30 Ee
5 1 1 1 104 11 1187 3419 65 30 0 ba
5 1 1 1 104 12 1275 3398 27 43 17 rs
5 1 1 1 104 13 1316 3422 123 32 33 PeSection 12
OUR LOCAL CULTURE
404 people or 2% of the 44% of
Noosa working population QLD people
identified as being employed participate in
in the broad range of a creative activity
cultural industires
46,000
189 people considered people visit the
themselves a visual or Gallery every year
performing artist
82%
engage with
music online
Workers in the
cultural sector have
an average income of
$785 per week 73% believe that
arts make for a richer
and more meaningful life
31 community 19
cultural facilities private
galleries
Over 22 72
live music
Noosa
venues cultural
organisations
Page 12
Section 13
Sport and Active Recreation Plan
Noosa Shire in 2018 has a diverse cultural and creative sector, both professional and community oriented.
Our arts, culture and heritage reflect the distinct identity of Noosa and there is a strong alignment
between local community values and arts practice with the local environment frequently inspiring
arts practice. Participation in cultural activities is high, particularly in visual arts and craft activities and
attendance at local events and festivals.
While it is difficult to obtain accurate data on the number of people engaged in the local arts, culture and
heritage sectors, research undertaken by the Australia Council combined with local data and anecdotal
evidence suggests that our community engages highly in the arts through many avenues – as artist,
audience, consumer or participator.
The local cultural sector fosters a rich creative community life. A broad range of stakeholders: individuals,
government agencies, community and industry organisations, and commercial businesses actively pursue
and deliver cultural facilities, program, events, services and products. Noosa people are collaborative and
supportive and will readily work together to produce an activity or event.
Cultural events regularly feature on the annual calendar, most notably Noosa Alive (formerly Noosa Long
Weekend), Cooroy Fusion, Booin Gari, Floating Land, Noosa Food and Wine Festival, Noosa International
Film Festival, Peregian Originals and Noosa Open Studios.
Education in the cultural sector is supported locally with state and private schools offering a varying range
of cultural content and the local university campuses of University of the Sunshine Coast and Central
Queensland University offering arts or creative industry related courses. Within the broader Sunshine
Coast region accredited training is available through university, TAFE and private providers.
Council cultural services such as Libraries, Noosa Regional Gallery and Community Development provide a
range of creative professional and skills development opportunities. Many local organisations, businesses
and creative practitioners offer short-courses and workshops in a wide diversity of disciplines and
mediums.
The arts sector is represented by several advocacy and networking groups, including Sunshine Coast
Creative Alliance and Create Noosa while the Heritage sector is represented through Council’s Heritage
Reference Group. Cultural and community members are strong advocates for culture and actively
participate in consultation regarding cultural matters.
In summary, the Noosa region is not starting from a zero base. It already has the existing elements of a
strong arts, culture and heritage foundation from which to build upon to deliver a healthy cultural future.
Page 13
Section 14
Noosa ShireShire
Noosa Council
Council Council
COUNCIL CULTURAL VENUES
From the hinterland to the coast, Noosa is served by numerous Council,
commercial and community cultural facilities. Noosa Council itself
provides cultural services and resources through major cultural venues
Noosa Regional Gallery w Opened in 1989
Open 40 hours/week across 6 days
Noosa Regional Gallery is one of the oldest 400m2 with 86m of running wall space for hanging
public galleries in Queensland. While it served 25 exhibitions per year across the three galleries
the community well in the 1990’s – 2010 it has 46,000 visits per year, averaging 900 per week
failed to keep up with exhibition, programming
and visitor needs and expectations. It is
now constrained as to the types of touring
exhibitions that it can show, does not have
any appropriate workshop or programming
space and has severely limited storage space.
Community consultation identified the need
to develop a new gallery that could meet the
needs of the community and act as a signature
tourist attraction.
The J Opened in 2006
The J is a multi-use venue that provides Open 7 days per week depending on events
a theatre, commercial kitchen and bar, 1250m2 with a seating capacity of 402 in theatre style
meeting rooms, educational facilities and 140 performances per year, attracting 20,000 people
hosts long-term partners the University of 377 events held by 40 community groups
the Sunshine Coast and Noosa Community
Radio. It is a major Noosa venue for live
theatre, music, dance, film, conventions,
dinners, civic events and award nights. No
immediate need has been identified for major
changes at The J with the preferred pathway
forward recommending a gradual evolution to
increase capacity, increase community benefit
and reduce costs to Council.
Page 14
Section 15
Noosa Heritage Library Open 52.5 hours/week across 7 days
Sport
Holds 1,100 items in and
public Active Recreation Plan
access
The Noosa Heritage Library is housed within 1,150 images available online through Picture
Noosaville Library and holds the local heritage Noosa
and family history collections. Resources and
services relate to the heritage of the Noosa area
including print, newspapers, ephemeral material,
oral histories and local content creation. A focal
point of the collection is the Picture Noosa image
collection in both print, negative and digital
form. Both collections are a significant drawcard,
bringing residents and visitors in to attend
research sessions and conduct individual research.
A 2016 service review identified the need for
improved storage and display facilities for the
Heritage Library which have occured in 2018 as
part of the Noosaville Library upgrade.
Cooroy Library Opened in 2010
The award-winning Cooroy Library embodies 46.5 opening hours/week (over 6 days/week)
Noosa Council’s sustainability goals in terms of 5,577 members
environmental design and community cohesion. 179,000 loans per year, averaging 3,500 each week
The 1248m² community hub includes traditional 134,000 visits per year, averaging 2,600 per week
library space, community meeting rooms, retail Holds 26,300 items across all collection formats
shop, exhibition space and learning spaces. It is
the focal point of the Mill Place Precinct and in
close proximity to the Butter Factory Art Centre
and a number of community groups.
It’s well-thought out design means that it has the
space and flexibility to meet the changing needs
of the community for the near future. In 2018 it
evolved to include a contemporary Makerspace
for digital technologies.
Noosaville Library Opened in 1993, Refurbished 2018
52.5 opening hours/week (over 7 days/week)
Noosaville Library is a much-loved
21,878 members
community hub offering a wide range of
325,000 loans per year, averaging 9,000 each week
library and community services.
221,000 visits per year, averaging 4,330 per week
At 1070m² it has a unique architectural
design synonymous with a Noosa look and
feel. Built prior to the public introduction
of the internet, its design was functional
for a collection focussed library however it
struggled to meet contemporary community
needs. A 2016 service review identified the
need for a major refurbishment which was
Page 15
completed in November 2018. Page 15
Section 16
COMMUNITY
Noosa
Noosa Council
Shire
Noosa Council
Shire Council
CULTURAL FACILITIES
Cooroy Butter
w Factory
Arts Centre
Wallace House
(Noosa Arts & Crafts Assoc)
Noosa-Cooroy
w
Heritage Centre
Noosa Arts Theatre
w
Page 16
Page 16
Section 17
Over 90 community and commercial facilities provide
Sport and Active Recreation Plan
space for arts and cultural activities
Pomona Majestic
w Theatre
Noosa Museum
w
Pomona Railway Gallery Parkyn
w w Hut
Information Centre
Page 17
Page 17
Section 18
Employment in Cultural Industries
Through the 2016 Census, 404 people or 2% of the Noosa working population identified as being
employed in the broad range of cultural industries. This is a very small proportion compared to sectors
such as tourism which employs 3,868 people or 19% of the working population and the health sector
which employs 3,766 people or 18% of the working population. The census data however relies on self-
reporting and records people’s primary employment industry so therefore may not take into account
the range of people who are employed in a creative industry but record their primary income from an
alternate industry. Local evidence suggests the number of people employed in creative industries to be
higher for example the 2017 Cultural Audit identified 189 people alone who considered themselves a
visual or performing artist, compared to the 98 who identified as such in the Census.
Textile, Leather,
Furniture Clothing and
and Other Footwear
Manufacturing Manufacturing
Creative and 47 47
Performing Arts
98
Motion Picture
and Sound
Recording Heritage
Activities
39 Printing
31 20
Publishing Professional Library and
Design Services Information
59
Services Other
34 16 15
This infograph outlines the number of people who identified as working
in each sector of the creative industries in the 2016 Census.
Page 18
Section 19
STRENGTHS AND Noosa’s cultural sector is in
Sport and Active Recreation Plan
a generally healthy condition
OPPORTUNITIES and exhibits numerous
positive qualities
Existing Strengths Potential Opportunities:
• Good quality Council facilities which are well • Broad consensus to improve focus on Kabi
maintained Kabi/Gubbi Gubbi culture
• High levels of participation in creative and • High proportion of the Noosa community
cultural activities aged over 60 who have time, resources and
• Diverse cultural forms and practices in the desire to participate in creative activities
local region • Community importance placed on lifestyle
• Attraction of the Noosa region to artists and which includes creative pursuits
visitors • Lack of signature regional gallery in wider
• Alignment between community values and Sunshine Coast region
the cultural sector • Growing digital creative sector
• Community pride and commitment to Noosa • Increase in niche cultural tourist
as a unique place • New funding avenues such as crowd funding
• Council commitment to planning and design and cultural funds
principles • Clustering of cultural facilities and businesses
• Strong design sector particularly in the areas to form possible cultural precinct
of architecture, graphic design and interior • Capacity for the arts to explore and discuss
design local or topical issues
• Capability of the community to conceive of • High numbers of cultural professionals
and deliver high quality cultural events and visiting Noosa
activities • Research linking participation in arts and
• Thriving arts and heritage volunteer sector cultural activities to improved health and
• Direct funding through programs such as the wellbeing
Heritage Levy, RADF and Council grants
Regional Arts Service Network
In 2017 the Queensland Government announced a change in providing regional arts services
through the Regional Arts Services Network (RASN).
Tenders were called to provide arts services in 8 Queensland regions.
Sunshine Coast Creative Alliance were awarded the contract and funding to provide RASN
services for the region that Noosa is part of.
Noosa Council is working with the newly created RASN to determine what opportunity this
presents to advance arts and culture locally. Page 19
Page 19
Section 20
LOCAL
CHALLENGES
While global trends and issues, both positive and negative, impact on arts, culture and heritage in Noosa
there are additional local pressures in these sectors. Consultation with local community and cultural
stakeholders identified a range of challenges and issues including:
• Economic pressures such as rising living • New residents and visitors, particularly those
costs, limited affordable housing and from metropolitan areas, often have high
cheaper online and imported cultural expectations in terms of venue and service
products mean that it is difficult for local delivery
artists to make a living without alternate
income streams • Noosa’s geographic proximity places it on
the fringe of the south-east Queensland
• While participation in the arts is strong there region however this frequently excludes it
is limited evidence of a robust professional from State or Federal Government regional
arts sector except for the architecture and funding and programs
other design fields
• Organisations are finding it harder to
• Organisational sustainability is a critical issue maintain local cultural facilities to a high
with some organisations and event providers enough standard to attract audiences and
relying on one or two key individuals to keep visitors
going
• It can be hard for artists new to the area to
• Some organisations report that there could make connections with their local sector
be more collaboration in the sector and
that they are competing with each other for • Council’s ability to resource and fund growth
resources, funding and audiences in the arts and cultural sectors
• Many residents want to participate in
cultural activities but find it difficult to locate
an activity
Noosa TAFE Site
The Queensland Government opened a TAFE campus in Tewantin in 2006. The environmentally
sensitive campus offered business and arts courses with a specialty in ceramics.
In 2014 the Queensland Government closed the campus and then in 2018 it indicated that it may sell
the facility.
While Noosa Council is considering the feasibility of purchasing the TAFE site, to date no financially
viable option for an arts/cultural use has been identified.
Page 20
Section 21
Sport and Active Recreation Plan
Page 21
a= ee oe ~~ — = aby 4 ee ma i AR 4
4 1 1 1 2 0 1 8 1699 126 -1
5 1 1 1 2 1 1 41 28 52 4 \
5 1 1 1 2 2 75 8 207 97 15 SS
5 1 1 1 2 3 350 46 109 49 25 <a
5 1 1 1 2 4 463 37 99 101 23 th
5 1 1 1 2 5 574 47 325 87 47 eee
5 1 1 1 2 6 842 37 52 101 78 |
5 1 1 1 2 7 1042 8 152 125 23 oie
5 1 1 1 2 8 1275 44 101 60 42 Lg,
5 1 1 1 2 9 1438 54 163 45 24 Ute
4 1 1 1 3 0 1 83 2464 119 -1
5 1 1 1 3 1 1 91 130 48 43 i
5 1 1 1 3 2 262 92 179 74 36 mS
5 1 1 1 3 3 648 104 42 37 91 <
5 1 1 1 3 4 707 90 120 112 46 ah
5 1 1 1 3 5 905 83 143 63 0 Sele
5 1 1 1 3 6 1258 106 54 42 28 Ok
5 1 1 1 3 7 1357 100 10 37 75 |
5 1 1 1 3 8 1790 112 3 2 0 :
5 1 1 1 3 9 2132 103 172 81 34 vim
5 1 1 1 3 10 2449 124 16 18 39 x
4 1 1 1 4 0 119 143 2350 34 -1
5 1 1 1 4 1 119 147 44 25 0 o
5 1 1 1 4 2 580 147 17 24 0 \\
5 1 1 1 4 3 689 143 37 29 46 ae
5 1 1 1 4 4 948 145 17 19 24 os
5 1 1 1 4 5 1137 156 14 13 44 J
5 1 1 1 4 6 1296 166 2 3 25 |
5 1 1 1 4 7 1312 132 62 49 38 aif
5 1 1 1 4 8 1526 144 19 13 45 ‘es
5 1 1 1 4 9 2141 149 2 3 0 ,
5 1 1 1 4 10 2438 147 31 30 21 Fest
4 1 1 1 5 0 19 119 2443 142 -1
5 1 1 1 5 1 19 159 16 48 0 3s
5 1 1 1 5 2 136 162 182 51 18 le)
5 1 1 1 5 3 355 179 117 37 37 ee
5 1 1 1 5 4 442 158 32 62 84 |
5 1 1 1 5 5 497 134 37 63 39 if
5 1 1 1 5 6 589 119 81 121 24 NaN
5 1 1 1 5 7 712 171 3 3 62 ~
5 1 1 1 5 8 775 175 44 11 25 2%
5 1 1 1 5 9 847 172 109 59 36 oA
5 1 1 1 5 10 1004 172 69 20 0 i
5 1 1 1 5 11 1074 163 14 73 0 /
5 1 1 1 5 12 1125 135 119 126 53 Uf
5 1 1 1 5 13 1295 170 63 34 27 ry
5 1 1 1 5 14 1758 186 30 8 20 V4
5 1 1 1 5 15 2260 186 3 4 0 .
5 1 1 1 5 16 2428 180 34 23 24 By
4 1 1 1 6 0 1 200 1694 206 -1
5 1 1 1 6 1 1 290 218 86 39 Vi)
5 1 1 1 6 2 326 261 287 145 27 Tee
5 1 1 1 6 3 668 303 513 100 43 eo
5 1 1 1 6 4 1442 316 25 34 25 ae
5 1 1 1 6 5 2233 306 27 6 35 |
4 1 1 1 7 0 1 336 2155 109 -1
5 1 1 1 7 1 1 354 7 74 91 |
5 1 1 1 7 2 93 363 86 55 5 PoC
5 1 1 1 7 3 253 340 24 94 0 ‘a
5 1 1 1 7 4 322 393 45 25 44 NZ
5 1 1 1 7 5 385 351 122 78 25 ie
5 1 1 1 7 6 589 406 19 7 52 =
5 1 1 1 7 7 700 336 61 75 0 y
5 1 1 1 7 8 884 349 59 69 44 /
5 1 1 1 7 9 984 373 87 47 60 =
5 1 1 1 7 10 1131 344 166 101 31 Le
5 1 1 1 7 11 1333 359 13 7 39 ef
5 1 1 1 7 12 1396 370 84 50 11 V\-
5 1 1 1 7 13 2153 396 3 3 0 ’
4 1 1 1 8 0 6 397 2124 111 -1
5 1 1 1 8 1 6 429 56 59 10 pe
5 1 1 1 8 2 79 402 211 106 36 ON
5 1 1 1 8 3 303 397 354 87 21 Ae
5 1 1 1 8 4 737 412 18 51 38 Vo
5 1 1 1 8 5 1109 401 353 67 27 eee
5 1 1 1 8 6 1483 409 158 73 50 Ae
5 1 1 1 8 7 2085 419 45 36 0 %
4 1 1 1 9 0 1 442 2470 82 -1
5 1 1 1 9 1 1 466 199 55 5 ESWN
5 1 1 1 9 2 226 456 204 67 26 (BOE
5 1 1 1 9 3 356 452 60 89 40 6
5 1 1 1 9 4 444 475 173 51 37 ote
5 1 1 1 9 5 698 473 45 44 52 ae
5 1 1 1 9 6 839 472 21 43 46 A\\
5 1 1 1 9 7 1091 442 190 83 15 ee
5 1 1 1 9 8 1345 481 69 41 17 glad
5 1 1 1 9 9 2432 505 39 19 20 £3
4 1 1 1 10 0 36 491 1336 51 -1
5 1 1 1 10 1 36 491 31 40 55 Uf
5 1 1 1 10 2 212 522 2 5 19 '
5 1 1 1 10 3 337 516 18 15 66 4
5 1 1 1 10 4 464 505 77 37 0 es
5 1 1 1 10 5 1118 513 87 29 20 rss
5 1 1 1 10 6 1301 514 46 25 35 1p
4 1 1 1 11 0 1 511 2283 74 -1
5 1 1 1 11 1 1 519 32 38 16 BO
5 1 1 1 11 2 81 511 162 50 43 BNW
5 1 1 1 11 3 269 507 31 61 43 A
5 1 1 1 11 4 305 511 131 53 13 ALP
5 1 1 1 11 5 655 519 63 66 29 4
5 1 1 1 11 6 868 524 43 51 0 S\\
5 1 1 1 11 7 926 528 225 43 27 yas
5 1 1 1 11 8 1283 539 52 36 35 asi
4 1 1 1 12 0 0 535 2289 94 -1
5 1 1 1 12 1 0 545 25 53 48 f,
5 1 1 1 12 2 69 544 98 84 0 ya
5 1 1 1 12 3 203 561 52 43 64 Ay
5 1 1 1 12 4 342 548 198 67 24 ee)
5 1 1 1 12 5 586 567 8 14 0 fp
5 1 1 1 12 6 631 544 30 60 0 r
5 1 1 1 12 7 690 562 17 37 3 >
5 1 1 1 12 8 795 580 3 2 0 ,
5 1 1 1 12 9 869 539 30 78 22 i
5 1 1 1 12 10 912 558 23 47 16 iy
5 1 1 1 12 11 978 535 96 85 39 AL,
Te if iN y 7 : ”
F 4); Gey ox np, Dp ae a yx t fe cH] \ ae os
y VA Le, ge” Ne hi DY ae ant a rt) te
PND cs tak, a) eM ae? .
Ee US OWE = ff. al on a \
Bee Ame an A AAA VA NED ah b
Lg, Nae SLi Tap 1) ee Yip Va ae s >. a ae,
Y GOT EELS LE EY SS yf), LUBA va a9 oa Z
oe IE = Zig le a eNW, MBI ) 7 ne Zo
IP ee A RYN ee ag) ee
NGS See m4 rh N\A ) (ifs thf LPS ~ y i} Pn
Lf AVG 7 LN MPG) OX AE SS ‘wea, LMA = Off ag
fe ZY 4 IDE tp OLA lpg Bere) |: = vid a hk ti
ied, le eS eZ. YY |i XY | i Z a 4
: [wet ; Ve () } / eas JIL SATALA: 7 . i t J rr — 2 /f LNA. Ae ra -
0 OP a Ww: i L074 wy rs i > / Xs ; a, yy SE ef 4 a
saya Fe SEN a eee ZV | Bi 7 ee AV a) 7
AG) INGO Oa) | 2 RRS
ae ete | Ch MES Sega
Neg i ame farm a 1) NSS. cia, Cf A A SR
7S : a ete ’ SO . A 7 F De What ¥ A vf
A VE epegR \\ ee ea oe
SB NN EE eT ~ S\N | // GANGS A ae a
Na ay} \ @ 4 4 aa Si <r ne Vita a .
ESO IAT FPF ps hie eS 2 QS ALR aaa eee 7| a
Seo Se ZA BA ) yy) SASS Scie ieee oa tf’ 7 ie
CLL US aes 5 ; eS a 7 ' es eas DN Sx MW 4 te e 7 ge i GQ) of 3 : > Q
eee 5 A hy , ag /3 Re SS) J ely Bae Lp, 4) 1 ap
, See ° PSS a Se
ye yh ; Ai Z SM OEE Sigler <A) pe oc
Y PRY wm | Ku Ba LIZ gaan eae OE
TY i ‘ peri I Oe | eB
4 Bea 5 ati! 2 ( Sy <. Ei/ Gaeiye Vey wren
P Le: i aed) | 6% 5 = . \ . eS ae Rin a Tae ia Gh Tos oa Oat
Lig \\ SE... Hic etn ie LE la or VEees? <i ¥,
PANN OI fe DY pe 7 De re oe es 4
MEN oe XK eee a7 5p Ra Se
ees a ~ = Ye ve 9 Ae os vs | 41 On oN a F- ‘ os ie) (ass ne on :
Ge ee ie Mieee | eae | |
pea a BN. x ee ge baht Pew
O a a Soa oe =. es r Ar jac A i el mae —
ee rors 3a ae oT ee > ,
Pe yh SRS ye : rr ee of Ge , oh
yd oe me Wea A OS ’ ee”
PS | ~ as Neem | Ba tame | A VME ; v4
a aa ek : :
Ny 3
5 1 1 1 58 3 151 2401 23 43 0 a»
5 1 1 1 58 4 260 2414 53 37 42 >”
5 1 1 1 58 5 386 2431 2 2 0 ?
5 1 1 1 58 6 477 2384 19 75 7 nN
5 1 1 1 58 7 576 2434 50 15 0 S
5 1 1 1 58 8 675 2380 39 78 31 ra
5 1 1 1 58 9 794 2392 100 62 45 SSR
5 1 1 1 58 10 1036 2417 3 2 0 :
5 1 1 1 58 11 1109 2416 34 27 43 ye
5 1 1 1 58 12 1166 2404 31 53 53 A
5 1 1 1 58 13 1242 2395 13 8 0 ?
5 1 1 1 58 14 1311 2399 17 31 0 A,
5 1 1 1 58 15 1483 2424 3 3 6 ,
5 1 1 1 58 16 1725 2415 68 35 46 “et
4 1 1 1 59 0 16 2433 1735 90 -1
5 1 1 1 59 1 16 2452 318 43 23 Daa
5 1 1 1 59 2 645 2450 104 55 28 FF
5 1 1 1 59 3 940 2455 226 68 17 Tt
5 1 1 1 59 4 1202 2455 92 35 31 NT
5 1 1 1 59 5 1346 2433 405 82 25 ceed:
4 1 1 1 60 0 34 2491 1992 87 -1
5 1 1 1 60 1 34 2491 108 82 21 eae
5 1 1 1 60 2 192 2524 14 36 26 ;
5 1 1 1 60 3 451 2531 81 42 15 eas
5 1 1 1 60 4 562 2554 38 22 6 et
5 1 1 1 60 5 703 2514 52 54 32 Ml
5 1 1 1 60 6 785 2496 103 74 25 =e
5 1 1 1 60 7 934 2524 15 49 0 :
5 1 1 1 60 8 975 2511 137 57 0 A
5 1 1 1 60 9 1200 2509 68 35 26 eo
5 1 1 1 60 10 1394 2519 14 50 0 f
5 1 1 1 60 11 1427 2546 4 18 53 |
5 1 1 1 60 12 1540 2523 41 55 0 y
5 1 1 1 60 13 1636 2518 37 49 63 7
5 1 1 1 60 14 1697 2511 30 42 13 a,
5 1 1 1 60 15 2022 2559 4 4 25 .
4 1 1 1 61 0 13 2565 1840 72 -1
5 1 1 1 61 1 13 2587 18 46 13 of
5 1 1 1 61 2 93 2603 40 29 20 vs
5 1 1 1 61 3 157 2576 3 1 0 °
5 1 1 1 61 4 475 2599 21 22 11 m4
5 1 1 1 61 5 525 2579 3 1 0 :
5 1 1 1 61 6 593 2576 49 54 39 Mg
5 1 1 1 61 7 751 2592 27 40 28 ee
5 1 1 1 61 8 807 2584 12 10 0 .
5 1 1 1 61 9 903 2576 38 58 44 4
5 1 1 1 61 10 1031 2630 3 4 70 |
5 1 1 1 61 11 1055 2577 49 60 9 ms
5 1 1 1 61 12 1126 2611 10 5 0 r
5 1 1 1 61 13 1178 2565 33 65 34 uli
5 1 1 1 61 14 1300 2565 27 54 0
é ’ ? 9 ;
ie f ,
e Be | Ee aa - ‘ ; | ( ‘ ep ( ri
° a Le é } \ iF y/ hg Ks
; ¥ ae yy aN 4) Nee Aa | Ny 7
F % | 2G) SANGRIA
; BaD M4 i \aaee Kh a ,
as - | i} \ ) ie
“¢ ff Ae ' : s . NA
of
Ee eee eee LP in ;Section 22
YOUR SAY, YOUR PRIORITIES
Through the consultation phases the community identified a diverse
range of cultural topics and initiatives that they saw as priorities in the
Noosa region
“Arts and culture are important just for “Our kids need more access to creative
themselves. They don’t need to also have activities outside schools”
an economic outcome”
“There are many very talented people in
“Recognition and inclusion of indigenous Kabi Kabi/ Noosa. We need to learn from each other”
Gubbi Gubbi heritage and culture is long overdue.
We can do much better”
“The local arts scene could play a stronger role
in tackling environmental issues and sparking
“The current Noosa Gallery is outdated and
community discussion and action”
too small. It is no longer up to the standard
of other regional public galleries”
“Council grants are really important
but it’s not just about money, we
“There isn’t much public or performing art in Noosa.
need other help as well”
If we had more of this it would look and feel more creative”
“It’s hard to find affordable spaces for “I’m not sure whether I can run classes from my
rehearsals or studios” home studio and I’m a bit afraid to ask”
“Our Noosa communities must maintain their individual
characters. Arts and culture plays an important role in this”
The Heritage sector identified specific priorities and issues
• The Heritage Levy has been vital in progressing the preservation of local buildings and undertaking
heritage projects which wouldn’t have happened otherwise.
• Noosa has a rich heritage even though it has limited remaining built heritage in comparison to other
communities such as Gympie or Maryborough. This means it can be challenging to resources and
attention to the sector.
• The Heritage sector needs to engage the community and visitors in modern and interesting ways.
• There is a need to capture and tell the unique story of Noosa and its people, before we lose
significant local identities or historical materials.
• Council needs to improve the coordination and responsibility for heritage issues within the
organisation.
Page 22
Section 23
Sport and Active Recreation Plan
Page 23
Mart : ae ds —_ed TL ee eer FF a SS... ., > a
| nh a &, ~ % x ) ; 3
5 1 1 1 3 11 1562 17 38 28 0 ‘S3
5 1 1 1 3 12 1942 11 33 28 54 4a
5 1 1 1 3 13 3026 13 3 9 35 A
5 1 1 1 3 14 3228 20 2 4 0 )
4 1 1 1 4 0 0 32 3284 147 -1
5 1 1 1 4 1 0 70 37 46 28 i
5 1 1 1 4 2 50 67 31 91 28 \
5 1 1 1 4 3 622 74 39 29 61 =
5 1 1 1 4 4 761 32 75 147 48 Ss
5 1 1 1 4 5 1241 62 3 3 82 |
5 1 1 1 4 6 1404 58 81 62 0 ~
5 1 1 1 4 7 1785 64 2 5 86 |
5 1 1 1 4 8 3235 59 49 25 0 S
4 1 1 1 5 0 0 62 3315 86 -1
5 1 1 1 5 1 0 115 45 33 6 wi
5 1 1 1 5 2 75 136 3 9 54 ||
5 1 1 1 5 3 276 108 15 20 50 |
5 1 1 1 5 4 513 126 16 8 24 =
5 1 1 1 5 5 552 140 3 3 30 12
5 1 1 1 5 6 590 126 30 10 0 0
5 1 1 1 5 7 1020 121 7 8 0 ,
5 1 1 1 5 8 1847 116 3 1 42 Ah
5 1 1 1 5 9 2014 101 3 6 0 :
5 1 1 1 5 10 3163 87 3 3 53 F
5 1 1 1 5 11 3276 51 25 47 9 Pa
4 1 1 1 6 0 0 89 3302 114 -1
5 1 1 1 6 1 0 154 25 46 0 y\
5 1 1 1 6 2 48 172 2 7 0 :
5 1 1 1 6 3 67 151 28 52 55 nh
5 1 1 1 6 4 259 177 4 4 0 ;
5 1 1 1 6 5 615 142 26 34 0 I
5 1 1 1 6 6 696 122 77 65 43 aS
5 1 1 1 6 7 838 165 10 14 0 :
5 1 1 1 6 8 950 151 65 22 12 ey
5 1 1 1 6 9 1356 160 5 1 2 ,
5 1 1 1 6 10 1447 101 21 49 65 J
5 1 1 1 6 11 1514 145 2 15 47 |
5 1 1 1 6 12 1719 136 20 25 39 o
5 1 1 1 6 13 2864 89 104 78 63 ar
5 1 1 1 6 14 3032 105 16 39 32 ss
5 1 1 1 6 15 3228 90 74 34 31 any
4 1 1 1 7 0 13 181 3019 69 -1
5 1 1 1 7 1 13 230 24 15 16 oaks
5 1 1 1 7 2 76 228 22 22 12 LS
5 1 1 1 7 3 338 233 3 2 26 ‘
5 1 1 1 7 4 830 228 16 3 43 —
5 1 1 1 7 5 873 224 12 9 0 «
5 1 1 1 7 6 946 216 6 5 30 >
5 1 1 1 7 7 974 218 46 12 12 aes
5 1 1 1 7 8 1713 200 17 19 24 4
5 1 1 1 7 9 1997 199 28 15 12 i
5 1 1 1 7 10 2951 181 14 18 32 7
5 1 1 1 7 11 3028 192 4 8 69 :
4 1 1 1 8 0 0 203 2908 125 -1
5 1 1 1 8 1 0 254 51 61 0 \\\
5 1 1 1 8 2 88 267 19 61 43 ‘
5 1 1 1 8 3 409 298 10 3 0 é
5 1 1 1 8 4 655 280 3 3 50 ’
5 1 1 1 8 5 714 281 34 16 0 %
5 1 1 1 8 6 803 223 115 76 0 2Ne
5 1 1 1 8 7 959 255 35 33 0 po
5 1 1 1 8 8 1966 229 32 43 23 Es
5 1 1 1 8 9 2009 229 29 58 18 ea
5 1 1 1 8 10 2061 241 15 10 37 ts
5 1 1 1 8 11 2813 203 95 86 27 an
4 1 1 1 9 0 14 262 3134 62 -1
5 1 1 1 9 1 14 307 19 15 33 vi
5 1 1 1 9 2 208 302 9 18 32 y
5 1 1 1 9 3 614 294 6 21 23 ts
5 1 1 1 9 4 775 286 10 38 8 DP
5 1 1 1 9 5 855 295 17 12 43 ee
5 1 1 1 9 6 946 292 3 2 31 ;
5 1 1 1 9 7 2037 268 17 15 20 a
5 1 1 1 9 8 3104 262 29 7 34 a
5 1 1 1 9 9 3147 265 1 5 65 |
4 1 1 1 10 0 0 257 3146 122 -1
5 1 1 1 10 1 0 311 65 68 31 Mii
5 1 1 1 10 2 95 309 46 45 25 yy
5 1 1 1 10 3 158 326 44 29 25 Sa
5 1 1 1 10 4 691 300 59 50 0 as
5 1 1 1 10 5 828 323 145 31 48 =:
5 1 1 1 10 6 1642 314 3 1 64 :
5 1 1 1 10 7 1969 287 91 37 34 ici
5 1 1 1 10 8 2908 266 90 54 21 wen
5 1 1 1 10 9 3107 257 39 75 45 ‘|
4 1 1 1 11 0 45 315 2969 53 -1
5 1 1 1 11 1 45 364 4 4 29 i
5 1 1 1 11 2 114 355 16 8 52 Hi
5 1 1 1 11 3 343 362 2 3 0 ;
5 1 1 1 11 4 460 358 5 6 49 ~
5 1 1 1 11 5 510 360 6 5 0 ¥
5 1 1 1 11 6 655 360 2 5 35 i
5 1 1 1 11 7 812 341 51 9 13 —
5 1 1 1 11 8 1111 348 1 4 0 Y
5 1 1 1 11 9 1485 335 4 11 0 j
5 1 1 1 11 10 1940 315 175 33 27 ee
5 1 1 1 11 11 2178 331 22 2 27 ee
5 1 1 1 11 12 3012 321 2 3 0 ;
4 1 1 1 12 0 50 311 3113 87 -1
5 1 1 1 12 1 50 370 39 28 64 an
5 1 1 1 12 2 141 351 58 44 44 i
5 1 1 1 12 3 338 369 47 21 0 B-sery
5 1 1 1 12 4 494 376 5 5 0
a . ‘ = / r ee
Se ee / 7 ae \y
aly : a: oes / ] y oa xt
_ oe , ‘ ae ——
— | hs, soll
y/ ; ; 4 1
Sak 4 ee Be = , 3 ar,
rr} \Vae-™ ee iia er ; a \ ' B
' l fe ey, y
ee 7 AFR eal ss
! : a y 7 | , of f ss , | ' a
. — <" a 4 oe Fete
e es a . 4 eee P , Ly 4
a # Rhee, - F 4 oS 1 a ~ ,
a : | q chk e Ci
SS 2 es “Fe
7” % e Ay 7 as ) ; ‘ se
—_ i ee aon ) a 7 i
a Ss <i ae, Nps P F ;
bet ~~ ee ae 2a { 3 :
CRON ote = I | — <a _& \
= = oe Fees : a — —a \
eS a tee NO {6
; —C— ‘ t= | oil ¥ 4
4 Ge is = - ms) 3 r
CET Str As.
~< > Miysirn 7 “4 a =A. A ; y j
ee A a we (eo ; ? *
eee eae ey 4 AN ke , Log M7 Z FB)
en 4 a ; } pa =
- ~ » : : 4 rere | i
“gee? Co re is j +
= a3 —<Tte . ay
i
mem teas ; + (za ,
scene Sits Bon i, 7
Re ot aS a ae Bakke Somer eae 42 F
. uw oa , a E Maly RN Se <\ %
. ( \ » - Perr Se ae e Se the 5 ae Tt: bea Se |
ee ¥) YS yw a ~ Py CoN . a Beek ; Lv ee % oe 4 |
ast (ae gts § oka by hu Lo od ay + See Ve Whee Bae .
PN pm FF) <b. 4 al , Wi’ ee tga Bo Oe 3S A DY Was ls Saat
psy is a an Sie ee yal ee ane aa Sa pe ee S
A Lgl Oe eae CTY ance »? PX, AOE aa Hh Ye a a OY, —,
SF Ip aye = = / eo ¥ a. Lahey kaeae st Y % Go e: = -
— - = a SNL BURT RS Oa Tae Sen eeSection 24
VISION
Noosa ShireShire
Noosa Council
Council
Noosa Council’s vision is “Noosa Shire – different by nature”.
Through diverse arts, culture and heritage Noosa will retain a unique
character and be renowned for creative expression and participation
Principles Aims
Noosa’s residents are fierce advocates for shared Through the delivery of the Cultural Plan and the
community values and priorities - celebrating and programs and actions that will follow, Council aspires
preserving our natural environment, supporting to achieve these overarching aims and objectives:
responsible environmental and economic
development, maintaining a cosmopolitan, village • Provide a diverse range of cultural venues,
feel, engaging in a healthy, outdoor lifestyle, valuing experiences and activities that reflect local needs
knowledge and learning and maintaining connections and interests
between people. The arts and heritage sectors play a
• Support creative expression and participation in a
vital role in interpreting and reinforcing these values
variety of formats
and the Cultural Plan will be underpinned by the
following guiding principles: • Enhance the unique creative character, liveability
and aesthetic appeal of Noosa’s villages and
• We believe that everyone can enjoy the benefits
community places
of a culturally rich community
• Increase the role that arts, culture and heritage
• We encourage all forms of creativity and
play in regards to the environment, economy and
expression and all levels of participation and
community development
abilities
• Increase awareness and understanding of local
• We value quality, uniqueness and authenticity
cultural heritage
• We respect the independence of our cultural
• Increase the skills and knowledge of people in
sector
the cultural sector in order for them to adapt to
• We acknowledge and understand our history and changes, improve sustainability and harness new
will learn from it to inform our future opportunities
• We are optimisatic about the potential of the • Improve the recognition and reputation of Noosa
future as a cultural destination
KEY 1. History and Heritage 4. Knowledge and Learning
THEMES 2. Places and Spaces 5. Growing the Cultural Economy
3. People and Participation 6. The Digital Future Begins Now
Section 25
Sport and Active Recreation Plan
Page 25
t / tA \ Ny - MAN «Re :
~ > a WW MY) ° 5 1 1 1 2 8 1715 48 123 66 2 W\\
5 1 1 1 2 9 1860 66 17 21 48 \
5 1 1 1 2 10 1968 62 65 58 54 is
5 1 1 1 2 11 2077 57 18 24 0 ,
5 1 1 1 2 12 2199 40 62 67 48 i
5 1 1 1 2 13 2280 47 13 34 0 y
4 1 1 1 3 0 602 90 1654 84 -1
5 1 1 1 3 1 619 155 9 9 34 ic
5 1 1 1 3 2 1086 135 15 11 36 i}
5 1 1 1 3 3 1408 120 16 21 0 -
5 1 1 1 3 4 1582 136 3 3 2 ,
5 1 1 1 3 5 1741 103 13 31 19 ‘|
5 1 1 1 3 6 1888 122 5 5 82 \
5 1 1 1 3 7 2182 92 23 15 43 wf
5 1 1 1 3 8 2219 83 16 31 42 @
5 1 1 1 3 9 2246 90 10 13 41 F
4 1 1 1 4 0 276 105 1991 136 -1
5 1 1 1 4 1 276 178 169 63 29 Ws
5 1 1 1 4 2 506 150 244 90 16 Gwe
5 1 1 1 4 3 1109 133 54 69 40 IN
5 1 1 1 4 4 1332 161 11 27 0 .
5 1 1 1 4 5 1566 115 60 72 30 oth
5 1 1 1 4 6 1681 113 34 71 0 iN
5 1 1 1 4 7 1807 130 113 43 34 WANS
5 1 1 1 4 8 2128 105 139 46 16 Pan
4 1 1 1 5 0 305 137 2920 164 -1
5 1 1 1 5 1 305 227 52 74 0 NI
5 1 1 1 5 2 564 216 44 35 0 %
5 1 1 1 5 3 633 220 21 11 74 |
5 1 1 1 5 4 738 227 14 10 0 f
5 1 1 1 5 5 1091 194 31 59 37 aT
5 1 1 1 5 6 1291 195 12 45 1 iN
5 1 1 1 5 7 1773 141 24 66 11 NY
5 1 1 1 5 8 1905 155 21 48 84 \
5 1 1 1 5 9 1971 192 5 4 46 3
5 1 1 1 5 10 2124 167 91 22 29 SMe
5 1 1 1 5 11 3206 137 19 17 10 ¢
4 1 1 1 6 0 317 159 2926 173 -1
5 1 1 1 6 1 317 289 2 2 92 /
5 1 1 1 6 2 392 221 283 111 12 WEY
5 1 1 1 6 3 1094 242 1 5 66 \
5 1 1 1 6 4 1158 250 44 14 32 Mh
5 1 1 1 6 5 1300 227 9 17 66 4
5 1 1 1 6 6 1829 180 96 66 18 PN
5 1 1 1 6 7 1980 179 86 77 46 ra
5 1 1 1 6 8 2122 189 145 38 8 Ane
5 1 1 1 6 9 3227 159 16 9 49 J
4 1 1 1 7 0 301 205 2882 134 -1
5 1 1 1 7 1 301 289 181 50 10 lor:
5 1 1 1 7 2 715 310 2 2 73 |
5 1 1 1 7 3 1092 252 103 52 33 WN
5 1 1 1 7 4 1931 223 260 40 42 Ae
5 1 1 1 7 5 3173 205 10 7 18 :
4 1 1 1 8 0 317 223 2939 169 -1
5 1 1 1 8 1 317 323 97 37 75 oN
5 1 1 1 8 2 450 308 42 84 0 .
5 1 1 1 8 3 1082 305 26 38 78 \\
5 1 1 1 8 4 1380 306 10 16 39 |
5 1 1 1 8 5 3175 227 18 23 10 —
5 1 1 1 8 6 3251 223 5 19 22 4
4 1 1 1 9 0 720 283 2274 135 -1
5 1 1 1 9 1 720 401 9 2 49 r
5 1 1 1 9 2 1160 361 17 27 22 x
5 1 1 1 9 3 1191 344 32 59 47 \
5 1 1 1 9 4 1214 325 151 93 44 ——
5 1 1 1 9 5 2974 283 20 30 0 s
4 1 1 1 10 0 554 339 2450 100 -1
5 1 1 1 10 1 554 412 6 4 57 ‘a
5 1 1 1 10 2 669 423 60 16 29 >
5 1 1 1 10 3 817 402 112 33 56 iin.
5 1 1 1 10 4 1101 406 124 18 28 me
5 1 1 1 10 5 1237 376 68 48 32 So.
5 1 1 1 10 6 1339 379 66 34 14 war
5 1 1 1 10 7 2999 339 5 8 29 ’
4 1 1 1 11 0 545 387 2868 158 -1
5 1 1 1 11 1 545 518 11 11 50 \
5 1 1 1 11 2 719 529 42 16 83 ad
5 1 1 1 11 3 869 533 3 1 43 /
5 1 1 1 11 4 930 494 47 19 53 GE
5 1 1 1 11 5 1002 475 53 42 46 =
5 1 1 1 11 6 1075 474 6 3 77 :
5 1 1 1 11 7 1291 469 14 23 0 \
5 1 1 1 11 8 1544 494 4 5 53 3
5 1 1 1 11 9 3006 390 18 52 0 i
5 1 1 1 11 10 3341 387 38 45 73 ~~
5 1 1 1 11 11 3384 389 29 42 14 4
4 1 1 1 12 0 712 442 2695 119 -1
5 1 1 1 12 1 712 542 3 3 38 .
5 1 1 1 12 2 842 541 19 20 15 Ve
5 1 1 1 12 3 1130 548 72 4 22 oe
5 1 1 1 12 4 1260 545 4 2 13 Ht
5 1 1 1 12 5 1274 528 8 11 48 4
5 1 1 1 12 6 1296 516 40 34 35 5
5 1 1 1 12 7 1331 522 16 34 7 Wr
5 1 1 1 12 8 3016 450 11 9 0 a
5 1 1 1 12 9 3274 457 4 12 0 f
5 1 1 1 12 10 3401 442 6 4 38 7
4 1 1 1 13 0 807 471 2240 113 -1
5 1 1 1 13 1 807 576 4 8 35 j
5 1 1 1 13 2 1024 572 41 3 27 ae
5 1 1 1 13 3 1146 563 63 15 21 SS
5 1 1 1 13 4 1236 547 34 27 31 a
5 1 1 1 13 5 1323 548 39 28 11 cy
5 1 1 1 13 6 1599 543 4 3 0 K
5 1 1 1 13 7 3020 471 27 37 0 LS
4 1 1 1 14 0 680 509 2370 131 -1
5 1 1 1 14 1 680 574 34 62 79 @
5 1 1 1 14 2 763 608 40 32 79 (4
5 1 1 1 14 3 1043 561 212 44 24 =
5 1 1 1 14 4 1373 559 45 59 21 as
5 1 1 1 14 5 3044 509 6 5 0 ;
4 1 1 1 15 0 732 550 2403 115 -1
5 1 1 1 15 1 770 646 19 19 0 wil
5 1 1 1 15 2 934 642 25 16 58 Zo
5 1 1 1 15 3 1593 606 19 30 0 K
5 1 1 1 15 4 3101 550 34 21 38 ee
4 1 1 1 16 0 770 571 2351 115 -1
5 1 1 1 16 1 770 669 12 17 0 iq
5 1 1 1 16 2 1079 659 3 2 10 LY
5 1 1 1 16 3 1343 650 12 13 18 is
5 1 1 1 16 4 1592 628 18 34 44 oS
5 1 1 1 16 5 3088 571 33 16 40 eG
4 1 1 1 17 0 773 595 2331 115 -1
5 1 1 1 17 1 773 690 6 12 0 ‘
5 1 1 1 17 2 1066 673 144 37 0 CUM
5 1 1 1 17 3 1336 664 62 39 32 SS
5 1 1 1 17 4 1581 647 97 35 73 ESS
5 1 1 1 17 5 3039 597 11 31 23 it
4 1 1 1 18 0 745 634 2295 131 -1
5 1 1 1 18 1 745 726 2 3 0 :
5 1 1 1 18 2 762 742 2 23 1 :
5 1 1 1 18 3 1047 705 45 39 28 iy
5 1 1 1 18 4 1136 712 4 5 14 Hey
5 1 1 1 18 5 1266 709 60 40 27 ye
5 1 1 1 18 6 1336 716 12 30 47 i
5 1 1 1 18 7 1373 687 30 60 54 NS
5 1 1 1 18 8 1441 683 25 34 11 Lo
5 1 1 1 18 9 1530 698 130 30 40 oN
5 1 1 1 18 10 3029 634 11 38 34 |
4 1 1 1 19 0 565 674 2469 143 -1
5 1 1 1 19 1 565 816 6 1 35 ‘
5 1 1 1 19 2 815 764 12 45 22 ie
5 1 1 1 19 3 1160 767 5 11 24 Y
5 1 1 1 19 4 1163 744 32 51 58 ij
5 1 1 1 19 5 1249 772 1 3 64 |
5 1 1 1 19 6 1274 760 17 51 57 i
5 1 1 1 19 7 1305 757 12 29 24 %
5 1 1 1 19 8 1329 748 55 48 0 R
5 1 1 1 19 9 1395 743 26 38 82 SS
5 1 1 1 19 10 3016 674 18 40 2 f
4 1 1 1 20 0 287 809 2794 138 -1
5 1 1 1 20 1 287 914 21 13 36 Ni
5 1 1 1 20 2 425 922 32 25 25 ms
5 1 1 1 20 3 879 900 2 2 0 ‘
5 1 1 1 20 4 912 888 57 33 27 SS
5 1 1 1 20 5 1226 878 2 2 12 4
5 1 1 1 20 6 1248 884 48 27 34 Ye
5 1 1 1 20 7 1343 870 47 35 40 “NS
5 1 1 1 20 8 1458 839 35 63 0 )
5 1 1 1 20 9 1603 868 2 3 41 4
5 1 1 1 20 10 2892 827 10 13 21 y
5 1 1 1 20 11 2984 813 10 7 26 =
5 1 1 1 20 12 3051 809 30 12 0 s
4 1 1 1 21 0 376 844 2596 167 -1
5 1 1 1 21 1 286 952 28 10 11 No
5 1 1 1 21 2 376 941 118 70 31 i
5 1 1 1 21 3 913 941 48 22 27 SS
5 1 1 1 21 4 1275 909 42 63 46 7)
5 1 1 1 21 5 1474 898 19 84 0 !
5 1 1 1 21 6 1524 921 1 4 66 |
5 1 1 1 21 7 2861 844 111 46 3 A
4 1 1 1 22 0 311 894 2733 116 -1
5 1 1 1 22 1 311 997 3 4 0 é
5 1 1 1 22 2 392 993 9 16 9 NG
5 1 1 1 22 3 423 975 30 43 22 A
5 1 1 1 22 4 960 970 24 14 49 SS
5 1 1 1 22 5 1081 968 3 3 31 .
5 1 1 1 22 6 1156 962 4 3 8 :
5 1 1 1 22 7 1236 956 48 16 16 a
5 1 1 1 22 8 1463 946 13 18 0 gy)
5 1 1 1 22 9 1512 956 5 13 77 |
5 1 1 1 22 10 2845 894 15 11 0 Fe
5 1 1 1 22 11 2915 888 21 18 12 J”.
5 1 1 1 22 12 3042 901 2 2 11 y
4 1 1 1 23 0 296 887 2738 180 -1
5 1 1 1 23 1 296 1000 70 63 41 HN
5 1 1 1 23 2 399 964 175 103 17 Lech
5 1 1 1 23 3 988 985 115 45 40 —
5 1 1 1 23 4 1119 982 141 43 34 SS
5 1 1 1 23 5 1455 970 9 28 30 y
5 1 1 1 23 6 2779 887 143 91 15 re
5 1 1 1 23 7 2966 924 23 13 28 ey)
4 1 1 1 24 0 401 939 2626 127 -1
5 1 1 1 24 1 401 1055 33 7 35 Seah
5 1 1 1 24 2 554 1042 39 20 26 ey
5 1 1 1 24 3 955 1042 39 3 21 rr
5 1 1 1 24 4 1139 1027 12 12 0 ‘
5 1 1 1 24 5 2731 951 102 17 0 ey.
5 1 1 1 24 6 3025 939 8 22 28 4g
4 1 1 1 25 0 378 952 2634 168 -1
5 1 1 1 25 1 378 1051 207 69 17 ESOT
5 1 1 1 25 2 947 1064 52 8 42 =
5 1 1 1 25 3 1280 1014 33 35 27 7
5 1 1 1 25 4 2609 981 105 32 0 ~
5 1 1 1 25 5 2971 952 41 80 0 »Y
4 1 1 1 26 0 320 1020 2652 144 -1
5 1 1 1 26 1 388 1118 93 45 0 RRO
5 1 1 1 26 2 499 1115 103 44 35 Ch
5 1 1 1 26 3 939 1132 7 3 73 :
5 1 1 1 26 4 1299 1122 3 1 56 |
5 1 1 1 26 5 2481 1047 2 9 25 1
5 1 1 1 26 6 2805 1020 167 39 9 Nea,
4 1 1 1 27 0 316 1067 2620 142 -1
5 1 1 1 27 1 316 1163 34 39 18 a,
5 1 1 1 27 2 387 1157 80 52 33 GR
5 1 1 1 27 3 500 1159 83 41 29 uWire
5 1 1 1 27 4 2401 1091 6 21 56 i
5 1 1 1 27 5 2837 1065 21 41 45 ee
5 1 1 1 27 6 2910 1067 26 36 61 if
4 1 1 1 28 0 336 1104 2546 126 -1
5 1 1 1 28 1 336 1228 2 2 10 :
5 1 1 1 28 2 428 1200 138 21 19 eames
5 1 1 1 28 3 604 1207 1 11 0 -
5 1 1 1 28 4 652 1202 8 18 83 4
5 1 1 1 28 5 2817 1104 65 23 24 Li”
4 1 1 1 29 0 655 1167 2147 97 -1
5 1 1 1 29 1 655 1260 2 4 0 ,
5 1 1 1 29 2 940 1250 12 3 77 =
5 1 1 1 29 3 1824 1237 2 2 31 -
5 1 1 1 29 4 1832 1203 52 51 4 oh
5 1 1 1 29 5 1930 1194 17 33 61 3)
5 1 1 1 29 6 2409 1205 3 2 77 4
5 1 1 1 29 7 2484 1167 4 86 87 |
5 1 1 1 29 8 2602 1195 3 2 45 a
5 1 1 1 29 9 2745 1183 27 29 22 Y
5 1 1 1 29 10 2800 1173 2 2 0 ¢
4 1 1 1 30 0 587 1266 1875 176 -1
5 1 1 1 30 1 587 1348 215 94 49 Ve
5 1 1 1 30 2 2254 1266 208 71 43 ASE
4 1 1 1 31 0 651 1322 1834 97 -1
5 1 1 1 31 1 681 1397 25 12 17 et
5 1 1 1 31 2 814 1390 2 3 0 }
5 1 1 1 31 3 2308 1324 28 53 42 YW
5 1 1 1 31 4 2449 1322 3 35 0 |
5 1 1 1 31 5 2479 1326 6 6 27 |
4 1 1 1 32 0 574 1342 1909 127 -1
5 1 1 1 32 1 561 1429 26 50 48 \
5 1 1 1 32 2 656 1433 4 3 31 aati
5 1 1 1 32 3 941 1439 20 21 31 S
5 1 1 1 32 4 2341 1367 49 35 0 ®
5 1 1 1 32 5 2456 1342 27 68 18 |
4 1 1 1 33 0 951 1418 1449 67 -1
5 1 1 1 33 1 951 1465 43 20 46 =
5 1 1 1 33 2 1252 1449 8 13 72 \
5 1 1 1 33 3 1293 1459 9 12 59 4
5 1 1 1 33 4 2396 1418 4 3 0 \
4 1 1 1 34 0 1171 1449 225 72 -1
5 1 1 1 34 1 1171 1449 117 72 21 ed
4 1 1 1 35 0 89 1621 597 39 -1
5 1 1 1 35 1 89 1628 62 30 18 eS
5 1 1 1 35 2 307 1624 232 36 44 EEE
5 1 1 1 35 3 614 1611 72 28 24 so.
4 1 1 1 36 0 78 1612 1985 102 -1
5 1 1 1 36 1 78 1642 111 72 5 a
5 1 1 1 36 2 190 1633 491 81 25 mee
4 1 1 1 37 0 79 1738 2619 127 -1
5 1 1 1 37 1 79 1815 267 52 18 A
5 1 1 1 37 2 1909 1744 60 75 0 ~~
5 1 1 1 37 3 2340 1738 358 102 39 GD
4 1 1 1 38 0 78 1807 1877 104 -1
5 1 1 1 38 1 78 1905 8 6 0 \
5 1 1 1 38 2 314 1886 13 11 0 o
5 1 1 1 38 3 430 1877 83 15 0 ~~
5 1 1 1 38 4 624 1867 34 31 18 De
5 1 1 1 38 5 686 1886 10 3 42 PS
5 1 1 1 38 6 1924 1807 31 27 24 x
4 1 1 1 39 0 81 1829 2423 127 -1
5 1 1 1 39 1 81 1934 52 22 30 YS
5 1 1 1 39 2 307 1930 33 9 11 S_~.
5 1 1 1 39 3 399 1929 103 18 39 Sa)
5 1 1 1 39 4 627 1906 93 28 18 a
5 1 1 1 39 5 2405 1829 31 44 40 =
5 1 1 1 39 6 2459 1838 45 25 44 os
4 1 1 1 40 0 159 1942 519 62 -1
5 1 1 1 40 1 159 1975 41 12 81 —
5 1 1 1 40 2 389 1999 14 5 0 .
5 1 1 1 40 3 659 1986 19 3 1 |
4 1 1 1 41 0 74 1999 677 142 -1
5 1 1 1 41 1 74 1999 677 142 0 Sec,
4 1 1 1 42 0 77 1982 2514 124 -1
5 1 1 1 42 1 77 2077 26 29 9 sS
5 1 1 1 42 2 150 2073 43 29 37 “ae
5 1 1 1 42 3 212 2065 105 26 33 BER
5 1 1 1 42 4 338 2061 40 37 15 ze
5 1 1 1 42 5 418 2055 166 40 0 LLELE:
5 1 1 1 42 6 637 2076 27 7 31 ee
5 1 1 1 42 7 1215 2033 42 18 21 eal
5 1 1 1 42 8 1319 2040 3 2 0 ‘
5 1 1 1 42 9 1857 2035 4 3 42 ene
5 1 1 1 42 10 2238 1982 18 43 5 si
5 1 1 1 42 11 2331 2003 23 11 71 <
5 1 1 1 42 12 2420 1997 39 13 28 =.
5 1 1 1 42 13 2478 1996 24 12 28 >
5 1 1 1 42 14 2559 1972 11 42 53 =>
4 1 1 1 43 0 114 2008 2518 139 -1
5 1 1 1 43 1 114 2143 49 4 39 oes
5 1 1 1 43 2 366 2133 90 8 52 _
5 1 1 1 43 3 557 2083 168 44 17 Soe
5 1 1 1 43 4 1192 2036 99 66 37 an
5 1 1 1 43 5 1346 2093 23 10 49 -
5 1 1 1 43 6 1790 2048 116 46 10 L/A®
5 1 1 1 43 7 1928 2031 179 53 8 MASS.
5 1 1 1 43 8 2231 2015 269 44 30 (oy
5 1 1 1 43 9 2536 2008 96 45 41 ee
4 1 1 1 44 0 79 2053 2543 156 -1
5 1 1 1 44 1 79 2124 617 85 1 GREG,
5 1 1 1 44 2 1150 2085 127 84 26 pa
5 1 1 1 44 3 1342 2113 15 37 52 |
5 1 1 1 44 4 1933 2053 175 99 30 a
4 1 1 1 45 0 89 2155 1959 146 -1
5 1 1 1 45 1 89 2222 519 79 26 GISELE
5 1 1 1 45 2 1221 2210 50 22 59 a
5 1 1 1 45 3 1764 2155 343 91 38 (ee
4 1 1 1 46 0 539 2224 1560 73 -1
5 1 1 1 46 1 539 2278 8 6 67 ~
5 1 1 1 46 2 566 2278 55 19 28 a
5 1 1 1 46 3 1794 2228 37 16 50 NIN
5 1 1 1 46 4 1866 2231 5 10 44 A
5 1 1 1 46 5 1937 2224 65 18 29 SS,
5 1 1 1 46 6 2093 2233 6 4 0 :
4 1 1 1 47 0 1804 2193 858 95 -1
5 1 1 1 47 1 1804 2242 26 43 62 IX
5 1 1 1 47 2 1886 2261 15 24 62 (}
5 1 1 1 47 3 1922 2224 96 64 8 “irs
5 1 1 1 47 4 2084 2256 19 22 0 %
5 1 1 1 47 5 2239 2248 2 2 56 7
5 1 1 1 47 6 2592 2193 70 80 15 i
4 1 1 1 48 0 787 2259 1872 88 -1
5 1 1 1 48 1 787 2345 2 2 35 ,
5 1 1 1 48 2 1842 2276 198 47 0 \icee
5 1 1 1 48 3 2146 2278 1 24 42 |
5 1 1 1 48 4 2214 2270 46 33 4 EY
5 1 1 1 48 5 2593 2259 66 36 12 a)
4 1 1 1 49 0 1853 2283 796 70 -1
5 1 1 1 49 1 1853 2329 4 18 25 \
5 1 1 1 49 2 1870 2312 20 43 0 NA
5 1 1 1 49 3 1918 2315 34 38 0 e
5 1 1 1 49 4 1981 2309 36 43 5 e
5 1 1 1 49 5 2029 2309 39 33 38 aa
5 1 1 1 49 6 2089 2305 15 27 4 i
5 1 1 1 49 7 2604 2283 11 35 4 eB
5 1 1 1 49 8 2645 2298 4 7 89 ;
4 1 1 1 50 0 1772 2318 647 85 -1
5 1 1 1 50 1 1772 2400 2 3 76 |
5 1 1 1 50 2 1863 2394 2 4 16 |
5 1 1 1 50 3 2008 2318 92 70 20 en
5 1 1 1 50 4 2385 2336 34 45 39 sere
4 1 1 1 51 0 575 2392 1529 89 -1
5 1 1 1 51 1 575 2461 38 20 29 ——
5 1 1 1 51 2 1766 2411 2 2 31 =
5 1 1 1 51 3 1913 2393 152 29 18 TaeSection 26
HISTORY
Noosa Council
Shire
Noosa Council
Shire Council
AND Noosa’s unique and rich heritage
will be known and valued by our
HERITAGE community, helping to chart a
responsible course for the future
G • Our community will know our history and heritage and be proud to share it with new comers
and new generations w
O • We will value the deep and ancient cultural heritage and traditions of the local indigenous
people, particularly the Kabi Kabi/Gubbi Gubbi community
A • We will understand and respect the diverse contributions made to our communities through
successive generations
L • Noosa’s cultural heritage will be preserved for current and future generations in a diversity of
forms. We will engage people in our history in interesting and stimulating ways
S • History and heritage will continue to inform the character of our individual towns and
localities and connect community to a shared identity
A
• Retain Heritage Levy and review levy • Support local heritage sector with
amount periodically training and advice in the preservation,
management and accessibility of heritage
• Develop and deliver initiatives which will
C broaden and increase audience reach and
community access •
resources
Broaden the Heritage Reference Group to
T • Extend spaces for provision of heritage
product and activities into non-traditional
include experts outside of traditional local
organisations
I
spaces to increase awareness • Improve the networking and knowledge
sharing amongst Noosa heritage
• Increase the digitisation of heritage
organisations
O
materials
• Embrace the use of emerging technologies
• Effectively manage local heritage
to make heritage more accessible in
collections for their long-term preservation
N •
and access
Work with stakeholders to increase the •
contemporary ways
Explore the potential of creating a
S
Hinterland Heritage brand
awareness and sharing of materials held
in local and specialist collections as well as • Increase the heritage sector’s involvement
establish a register of local heritage items with local schools, educators and families
of significance to raise young people’s awareness of
Noosa’s history
• Work with heritage organisations to
ensure relevant heritage collection • Ensure conservation management plans
management plans and risk management are in place to protect and maintain built
strategies are in place heritage infrastructure and heritage sites
• Continue to expand and develop Heritage
Page 26 Trail network and increase promotion
Section 27
PRIORITY FOCUS AREAS Sport and Active Recreation Plan
Indigenous Cultural Heritage
Council will work with the Kabi Kabi/Gubbi
Gubbi first nation’s people to increase the
awareness and understanding of our local
indigenous cultural heritage, both in terms of
respect for past history and present cultural
practices and people.
Council will support the local indigenous
community in respectfully and sensitively
sharing their knowledge and stories to residents
and visitors. The inclusion of indigenous content
in programs and services will be increased and
improved.
Heritage Coordination
Consultation with internal and external stakeholders
has highlighted the lack of coordination and
responsibility for Heritage within Council.
Consequently the part-time Heritage Librarian
role has been converted to a full-time Heritage
Coordinator. This role will review and improve the
coordination of heritage matters within Council,
provide expert heritage advice, act as a single point
of contact for heritage matters and oversee Council’s
heritage activities.
The Noosa Story
The story of Noosa’s development and
attachment to core community and
environmental values is a unique one.
Council will work with stakeholders to capture
and document this contemporary heritage
including the stories and histories of local
people from the period from 1960 to de-
amalgamation. The material will be used by
stakeholders to develop engaging exhibitions,
displays and content to tell the unique Noosa
story.
Page 27 Page 27
Page 27
Section 28
PLACES
Noosa Council
Shire Council
AND Our sense of local identity and character
will be enhanced through quality design
Noosa Shire Council
SPACES and the inclusion of arts and heritage in
our public places
G • Our region will enjoy a diverse range of well-maintained creative, learning and heritage places to
w and participation and to encourage communities
support the community’s creative expression
to share and connect with each other
O • Our sense of cultural vibrancy will be increased by the inclusion of arts, culture and heritage in
non-traditional places
A • Our places and spaces will be made more interesting and locally distinct by maintaining a high
standard of civic design and including cultural practice and works
L • We will adhere to standards and practices which enhance the creative character, liveability and
aesthetic appeal of individual areas
S
• Noosa’s arts, heritage and environment sectors will continue to have a special connection;
and the cultural sector will play an essential role in interpreting and preserving our unique
ecosystems and biosphere status
• Invest in new facilities where gaps or • Include cultural representatives in
A opportunities exist and the need can be
best met locally after maximising use of
stakeholder consultation for projects
involving master planning, placemaking
C
existing facilities and major developments
• Review and existing Council cultural • Prioritise initiatives which enhance
venues and facilities to maximise use and the community’s understanding of the
T respond to changing community needs
and expectations
local environment, showcase artworks
and artists that support environmental
I
values and assist in improving ecological
• Work with stakeholders to identify
sustainability
underutilised facilities and spaces with aim
of maximising their potential and identify • Include creative components in the
O new spaces for the inclusion of creative
content or production
delivery of Council projects aiming to
change community behaviour
N • Complete the development of effective
asset management plans for all Council
• Work with key stakeholders to develop a
toolkit to assist cultural activity and event
S
owned cultural facilities providers produce events with minimal
negative impact on the environment
• Work with stakeholders to develop
a publicly accessible creative spaces • Reinforce Noosa’s identity through
directory for studio, performing, rehearsing planning and projects with a priority
and learning spaces on preserving the natural environment,
maintaining the discrete village feel,
• Improve and increase the creative design
embedding excellence in urban design and
component in Council infrastructure
increasing the Shire’s creative look and feel
projects
Page 28
Section 29
PRIORITY FOCUS AREAS Sport and Active Recreation Plan
Sense of Place
Council will review and improve its approach to
placemaking to ensure its concepts and strategies are
understood and implemented collectively across the
organisation. It will work with stakeholders to achieve
an integrated, place based approach which supports
community cohesion, improves the aesthetic appeal
and maintains a sense of local identity through
measures including creative arts, built infrastructure,
streetscaping and precinct development.
Arts in Public Places
Council will undertake a review of Noosa’s
approach to art in public places with a
view to improving residents and visitors
sense of Noosa being a creative and
culturally rich region. This will include
an audit of existing permanent and
temporary public art and practice, both
visual and performing, the development
of a public arts policy and action plan and
working with stakeholders to increase the
inclusion of visual and performing arts
within council facilities and appropriate
public places.
Arts and the Environment
Floating Land will continue to be a signature event
in the cultural calendar and will be reviewed to
provide greater continuity and connection between
iterations, increase external resourcing and increase
the level of community input and ownership.
In addition, stakeholders will consider new
opportunities to reinvigorate the important symbiotic
relationship between arts and the environment
with the environment acting as inspiration for
cultural works and cultural works assisting people to
understand the impact of complex environmental
issues and motivate them to act.
Page 29 Page 29
Page 29
Section 30
PEOPLE AND Individually and collectively, our
community will experience the
PARTICIPATION
Noosa Council
Shire
Noosa Council
Shire Council
many benefits of a culturally rich
and creatively engaged society
G • Creative people of all types will be attracted
w to Noosa to live and to visit. They will find a
strong network of like-minded people and their creative output will be valued and celebrated
O
• People will be inspired to create and express themselves freely in a diverse range of creative
and cultural practices and activities which are responsive to contemporary lifestyles
• Everyone in Noosa will have the opportunity to be involved in the arts at varying levels –
A audience, artist, performer, creator, producer, educator, volunteer
• Individually and collectively, people will experience a wide range of benefits through their
L creative participation – from the sheer pleasure and pride in creating to the increased sense
of identity and belonging and improved creative thinking and problem solving
S • Council, community and business organisations will work together to deliver high quality
events and activities which support the attributes and values of the Noosa community
A
• Provide appropriate support to local artists • Work with families, educators and carers to
and organisations to produce creative increase opportunities for young people to
content, undertake cultural projects and be exposed to and engaged in the arts
C •
increase skills and knowledge
Work with stakeholders to broaden and
• Support emerging areas of creative practice
to provide new avenues of participation
T increase participation rates including
reviewing underperforming activities to
• Work with stakeholders to provide creative
programs and activities which meet needs
I
understand barriers and challenges and and expectations of older residents
investigating contemporary community
behaviour and expectations • Encourage the use of creative activities in
O • Support local communities and
organisations in initiating and delivering •
the improvement of health and wellbeing
Use creative approaches in the delivery of
N •
local community cultural activities
Prioritise support for organisations
Council projects and initiatives aiming to
change community behaviour
S which respond to community needs and • Review the delivery of the Regional Arts
preferences Development Fund (RADF) program with
a view to increasing awareness, meeting
• Improve information sharing and marketing
needs and improving outcomes
of creative and cultural activities to increase
audience awareness and uptake
Page 30
Section 31
PRIORITY FOCUS AREAS Sport and Active Recreation Plan
Where Art Thou
Council’s cultural officers and teams will review
their approach to the delivery of creative programs
and activities with the aim of understanding
community expectations, broadening audience
appeal and increasing participation. The focus will
be on increasing the delivery of activities outside
of traditional cultural facilities to non-traditional
places where people will feel more encouraged and
comfortable in participating.
Events and Festivals
Events and festivals will continue to be
an important part of the Noosa calendar.
Council will work with key stakeholders
to balance the views and needs of the
community and event organisers to
overcome obstacles and take advantage
of opportunities. The important role that
local organisations and businesses play
is valued and Council will assist with an
appropriately supportive model.
Celebrating
Noosa Creatives
Council will work with stakeholders
to understand how best to
recognise the value of local arts
practitioners.
The aim will be to increase the
awareness of the talents and
creative output of Noosa’s cultural
sector both locally and outside the
region.
Page 31 Page 31
Page 31
Section 32
KNOWLEDGE
Noosa Council
Shire
Noosa Council
Shire Council
Relationships and networks
will be nurtured to share ideas
AND LEARNING and knowledge and problem
solve collectively
G
• The future of the arts, cultural and heritage sectors in Noosa is a bright one. We value
w the lessons from the past and to learn the
knowledge and learning in order to understand
necessary skills to continuously adapt, grow and prosper
O • Our creative individuals and organisations will have the support, skills and knowledge to be
resilient, sustainable and able to embrace the changing world
• The cultural network will develop the essential skills to manage critical contemporary
A issues including changes to funding arrangements, organisational models and audience
expectations. We will work with stakeholders to support the transition of emerging or semi-
professional artists to professional status
L • We value the role of creativity in the learning and community engagement process. We will
use creativity in our everyday lives to learn, adapt, innovate and problem solve
S • The cultural sector will play a key role in providing platforms for community discussion and
debate on issues which will impact our community
A • Review Council’s support of artists and arts
organisations to focus on initiatives that
• Work with key stakeholders to facilitate
opportunities for creative and cultural
have longer term benefits and support practitioners to share skills and knowledge
C •
them in being more self-reliant
Work with stakeholders to increase •
and collaborate on projects
Increase opportunities for master arts
T the knowledge and understanding of
changing funding opportunities such as
crowdfunding, cultural philanthropic funds
practitioners to deliver professional
development to local practitioners
I
• Work with stakeholders to explore
and micro-loans concept of locally delivered short-course
• Explore the feasibility of a mentoring professional development
O
program to ensure that our professional
• Provide appropriate support to local artists
artists are able to share their knowledge
and organisations to produce creative
and skills with our emerging artists.
content, undertake cultural projects and
N • Facilitate training to help organisations
understand the changing nature of •
increase skills and knowledge
Align funding programs with aims of
S
volunteerism and how to focus on cultural plan and other key corporate
attracting new types of volunteers strategies
• Identify significant cultural organisations • Work with stakeholders to improve the use
which are potentially “at-risk” of failure of creative activities to broaden learning
and focus efforts on increasing their approaches, explore topical issues and
sustainability solve problems
• Prioritise funding for groups which are
actively taking steps to ensure ongoing
Page 32 sustainability
Section 33
PRIORITY FOCUS AREAS
Libraries
Council’s Libraries will play a
key role in providing access to
information, resources and learning
opportunities for individuals and
organisations. They will continue
to evolve to provide services and
products which are relevant to
changing community needs and
expectations.
Cultural Development
Cultural individuals and organisations
require evolving knowledge, skills
and support to ensure their ongoing
success. Council will review its
cultural development services to
better meet the needs and priorities
of stakeholders in the changing world
and ensure that Council is providing
effective support.
Stakeholder
Engagement
Council will review its approach to
stakeholder engagement with the
arts, culture and heritage sectors
to improve relationships across the
network and to ensure that there is
a broad and accurate understanding
of needs and issues. It will improve
collaboration on projects and reduce
unproductive competition.
Page 33
Page 33
Section 34
GROWING
Noosa ShireShire
Council
Arts, culture and heritage
will play an increasing role
Noosa Council
THE CULTURAL in the economic health of
ECONOMY
the local region
G
• Creative industries will increasingly provide more employment, keep dollars within the Shire and
export products and services
w
O
• Cultural activities will help attract visitors, extend their stay and increase local spend. Visitors will
be drawn to appreciate and experience local arts and culture including design, products, cultural
heritage, cultural venues, and programs and events
A • There will be an increasing focus on quality product development and delivery, preferencing unique or
bespoke over mass-production or mass-market
L • Home-based creative industries will be encouraged to improve individual economic outcomes,
increase local creative output and reduce the need for travel to other locations
S • Innovation and a creative approach will help fire the engine room of Noosa’s economy
A • Work with stakeholders to increase the brand
potential of Noosa in a creative sense such
• Support opportunities for local creatives to
share knowledge, connect with each other
as the development of creative nodes or and collaborate
C precincts, supporting the clustering or co-
location of creative businesses and activities
• Council will assist in brokering partnerships to
advance local cultural economic initiatives
T and supporting the development of feature
creative products • Work with key stakeholders to understand
needs and interest of cultural tourism market
I
• Programs which have longer term benefits
and respond accordingly
will be prioritised for investment of Council
funding and support • Work with key stakeholders to ensure that
O • Highlight the creative and cultural
opportunities in the hinterland to extend the
home based creative businesses are able
to thrive within Council’s planning and
N
regulatory framework
tourism experience beyond the coastal strip
• Facilitate effective strategic land use planning
• Support initiatives which showcase local
to support creative endeavours, cultural
S artists and improve access for local products
to buyers
precincts and home-based businesses
• Provide or facilitate professional development
for artists to maximise access to new markets
such as through digital platforms
Section 35
PRIORITY FOCUS AREAS Sport and Active Recreation Plan
Noosa Regional Gallery
The audit of cultural facilities and community and
stakeholder consultation has identified the need
to address deficiencies in the existing gallery and
the desire for an expanded or upgraded gallery or
cultural facility. Council will explore the feasibility
of a new signature Regional Gallery which better
reflects contemporary audience expectations,
spearheads cultural momentum, exploits cultural
tourism opportunities and improves participation
outcomes.
Marketing Noosa as a
Cultural Destination
Noosa already offers a wide range of cultural
activities which would be of potential interest to
the tourism market however visitors remain largely
unaware beyond major activities such as Eumundi
Markets.
Council will collaborate with key stakeholders to
develop a marketing and communication strategy
to focus on the cultural attributes of Noosa.
High Quality Artisan Products
The Noosa brand is seen as being unique, high
quality and discerning. There is an opportunity
to leverage this brand and reputation to better
focus on the production of very high-quality
artisan and craft products including bespoke
manufacturing and activities which provide a
personal, authentic response or experience.
Council will work with stakeholders to explore
this potential and develop a plan to increase
production and market spend in this sector.
Page 35
Page 35
Section 36
THE DIGITAL Technology will drive new
art-forms, provide platforms for the
Noosa ShireShire
Council
FUTURE
Noosa Council
dissemination of cultural product
BEGINS NOW
and spring-board new careers
G • The digital future is happening now and
emerging creative digital sphere
wNoosa will be actively involved in the rapidly
O
• With its enviable lifestyle, location to key metropolitan bases and uptake of the digital
realm, Noosa will incorporate more creative and knowledge industries which use
technology to create and distribute content
A • Traditional art-forms will be reinvented and will merge through their exploration of digital
technology
L • New career opportunities will emerge which take advantage of technological innovations
and provide greater creative outlets than older work models
S • The community, cultural and digital sectors will be positioned to take advantage of the
digital transformation through access to resources, equipment and training
• Work with stakeholders to understand • Ensure Council staff are skilled and able
A opportunities and barriers and advocate
for the local infrastructure and resources
to support the community in adopting
and exploiting new technologies
C
required to support a thriving digital
• Lead the way by being innovative and
creative sector
supportive of digital creative projects
• Provide opportunities for digital creatives
T to work together, share knowledge
and content, experiment and produce
• Work with stakeholders to provide
opportunities to showcase emerging
technologies to engage early adopters
I •
collaborative content
Support the development and provision
• Work with stakeholders to support
the migration of existing creative
O
of programs which increase creative practitioners to the digital space
digital skills and knowledge
• Work with stakeholders to encourage and
• Include technology driven makerspaces
N
support our young people in adopting
in Council’s libraries to provide accessible digital creative careers
technology, resources and training to the
S
community
• Provide opportunities for the community
to engage with and use new technologies
in a creative and fun way
Section 37
PRIORITY FOCUS AREAS Sport and Active Recreation Plan
Peregian Digital Hub
Council has taken the plunge into the
new digital working world through the
construction of the Peregian Digital
Hub. This facility will make a strong
contribution to the growth of the
local digital sector in both economic
and cultural terms. It will support
digital cultural entrepreneurs through
providing co-working space, incubation,
networking and learning.
Digital Cultural Content
Council will support the development
and delivery of locally produced digital
cultural content. It will recognise and
showcase local efforts in this space and
support access to new opportunities
and markets. Council cultural projects
will increasingly include digital
components to showcase emerging
technologies and provide avenues for
local digital creatives.
Finding Our Strengths
The digital creative sector is diverse
and many regions are looking to take
advantage of potential opportunities.
Council will work with stakeholders
to build creative digital skills and
knowledge and build upon areas of
local digital strengths to concentrate
growth and development and
harness prospects.
Page 37 Page 37
Page 37
Section 38
ROLES AND
RESPONSIBILITIES
Recognise
The responsibility for a thriving cultural sector lies Advocate
with everyone from individuals to community
organisations, industry sectors, commercial Enable
businesses and all levels of government.
Principally the Cultural Plan is a Noosa Partner
Council corporate document, and as
such, Council plays a key role in Deliver
achieving the actions outlined within.
Primarily, Noosa Council’s role is to:
• Cultivate an environment where arts, culture and heritage are valued and supported
• Engage and partner with our community and other key stakeholders to achieve the aims of the plan
• Advocate for the arts, culture and heritage
• Provide cultural facilities, services and activities appropriate for changing community needs and
expectations
• Provide support and resources for the cultural sector
• Establish plans, policies and regulations which support the cultural sector
• Preference projects, initiatives and programs which support the values and priorities of the Noosa
community
Council cannot achieve this ambitious agenda on it’s own and consequently welcomes the support of
other government agencies and the efforts of the broader arts, culture and heritage sectors in working
collaboratively to implement the goals and initiatives outlined in the Cultural Plan.
Section 39
Sport and Active Recreation Plan
OUTCOMES
The process to develop the Noosa Cultural Plan has highlighted the difficulty of evaluating the health
or state of the cultural sector. Data is difficult to obtain, often deficient and frequently not relevant to a
local level. Council will work with stakeholders to review how we measure the performance of the local
cultural sector to provide more accurate, effective data.
The Noosa Cultural Plan outlines a wide range of strategies and actions designed to grow and develop
the arts, cultural and heritage sectors. Important to the long-term success of these strategies is their
ongoing evaluation to measure their success or otherwise, and modify future actions accordingly.
Individual actions will have their own relevant measures of success however broadly the Cultural Plan
aims to achieve:
• Increased use of cultural venues and facilities
• Increased number of new participants in cultural activities
• Increased number of cultural activities occurring in non-traditional spaces
• Increased participation by young people in creative activities outside of formal education
• Higher satisfaction levels within arts, culture and heritage sector
• Improved perception of Noosa as a cultural destination with visitors
• Improved sustainability of community organisations in arts, cultural and heritage sectors
• Increased growth of people employed in cultural and creative sectors
• Improved awareness of Indigenous cultural heritage
Page 39
Page 39
Page 39
Section 40
METHODOLOGY
Noosa Council’s strategic planning documents are developed following comprehensive stakeholder and
community consultation and research.
A Cultural Plan Reference Group was established in 2017 to provide advice and guiding support for
the development of the Cultural Plan. In addition, the Heritage Reference Group has provided advice
regarding the heritage aspects of the Plan. Both Reference Groups were chaired by a Councillor and
contained a mix of external stakeholders and key internal officers.
As a starting point for the planning process, Cathy Hunt of Positive Solutions was contracted to
research and write a paper exploring some of the significant factors which should be considered in the
development of a local Noosa cultural strategy.
The research phase of the planning process also included:
• An audit of existing and proposed arts, culture and heritage activities, facilities and organisations in
Noosa Shire
• A literature review of the regional, state and national arts, culture and heritage sectors
• Examination of arts, culture and heritage trends and their implications for the Noosa region
• Qualitative and quantitative analysis of the local arts, culture and heritage sectors
• Identification of arts, cultural and heritage opportunities through events, services, partnerships and
infrastructure
Broad community and stakeholder engagement was undertaken through:
• Community workshops
• Forums and focus groups
• Specific arts and cultural events such as Floating Land
• YourSayNoosa online portal and forum
• Targeted consultation with key internal and external stakeholders
• Social media
• Email consultation with registered people of interest
The drafting of the Cultural Plan was undertaken in-house by Council officers with expertise in cultural
policy development.
Page 40
Section 41
Sport and Active Recreation Plan
Page 41
—
OW ty | .
i C A a i ys ]
4 1 1 1 4 0 342 779 1643 182 -1
5 1 1 1 4 1 342 847 6 8 10 :
5 1 1 1 4 2 951 854 78 36 24 a
5 1 1 1 4 3 1150 854 29 17 29 ps
5 1 1 1 4 4 1267 854 7 47 0 \
5 1 1 1 4 5 1541 864 20 38 75 a
5 1 1 1 4 6 1714 779 155 182 36 eo
5 1 1 1 4 7 1975 858 10 16 38
ol ul WS hive”)
r NN Me ie
ee
a
Aan — y he Ee
; — cs ~~ — S Yp 1 ‘
a ee as | Mae
ls ee =% j WEG ~
sho AY =
(ce _F AN) ig
- _—“ = y Si
opr ) ' E
oe Le . : ’ eT Ay : y } 5 a
; | yy aps Perm
Wg 7, y % Leh Va ™y
E | , - (ts,
ig (4 Z t a \ TN
y y WN y r aA ae AS % \
SF | rN : ‘A PP 4 KY
y | ‘a es a ay oN
: i ; | BE” > on
] WH, | 2 ees we. x —
a A , F ; = ny a A
y i Ae | f , | .. 4 ,
e yr | mY a .. &
“ P. SAS ee
i f ayy Se
| ; “ : PpSection 42
IMAGE CREDITS
Page number Image details
Front cover Treescape Reach, Floating Land 2017.
Image: Raoul Slater
4,5 Butterfly (detail), Paper cutting, charcoal on paper.
Greer Townsend, 2017
Image: Your Life Photography
6, 7 Jerry’s Girls at Noosa Arts Theatre
Image courtesy of the Noosa Arts Theatre
9 Tuvaluan Ceremony, dancer, Floating Land 2009.
Image: Adam Sebastian West
11 Banksia sculptures Lucas Salton, Lanyana Way, Noosa Junction.
Image: Your Life Photography
13 Barry Alsop, Noosa Alive 2018
Image: Eyes Wide Open
17 Pomona Railway Station Gallery
Image: courtesy of Joa Darmansjah
18 Pendragon Shoes
Image: courtesy of the artist
21 Control Burn - Teewah, Oil on canvas. Raelean Hall, 2016
Image: courtesy of the artist
23 Top: The Unknowns, Anywhere Theatre 2018.
Image: Cynthia Lee
Bottom: Blake Bowden, Noosa Alive 2018.
Image: Rick Monk
25 Notion of an Ordinary Yarn. Anne Harris, 2016
Image: courtesy of Noosa Regional Gallery
29 Bunya, Sculpture. Glen Manning and Kathy Daly, 2010
Image: Noosa Council
29 Castaways, Floating Land 2017.
Kris Martin and Simon McVerry
Image: Raoul Slater
34, 35 Background: Travelling with Voss (detail), Oil on linen.
Sam Vatovey
37 Middle image: Prosthetic Reality, SUTU, 2017
Image: Your Life Photography
39 Rain Song, Floating Land 2017. Projection.
James Mueller, Brent Miller and Lyndon Davis
Image: Brian Rogers
41 Feeding Supplicants to the Orbit, Oil, alkyd and synthetic varnish on aluminium
composite panel. Ruben Pang, 2017
Image: Your Life Photography
43 RIPE Dance with Gail Hewton
Image: Barry Alsop
Back cover Skyline, Oil on canvas.
Otto Schmidinger, 2016
Image courtesy of the artist
Section 43
Sport and Active Recreation Plan
GLOSSARY
Term or abbreviation Meaning
Art A creative process or product that deliberately arranges elements in a way
that appeals to the senses or emotions. It may encompass a diverse range of
human activities, creations and ways of expression.
Audience People who attend, view, listen or appreciate creative products or content.
Built heritage Buildings or structures and their environments valued by a community
because of their historic, scientific, aesthetic, social or architectural
significance to that community and which, because of their heritage
significance, may appear on the Register of the National Estate, the register
of the National Trust of Australia and/or state, territory or local government
heritage registers or studies.
Community arts Creative arts processes that occur in a community setting, often involving
collaborations between professional artists and genera; community members.
Creative industries Those industries which have their origin in an individual’s creativity, skill and
talent and which have the potential for positive economic return.
Cultural heritage The legacy of physical (tangible) artefacts and intangible attributes of a group
or society that is inherited from past generations, maintained in the present,
and bestowed for the benefit of future generations. It presents evidence of
past human activity and associations and includes places, objects, customs,
traditions and artistic expression.
Culture The identity and values that a community develops over time which defines
them as a distinctive group and which are remembered, celebrated and
preserved for future generations.
Emerging artist An individual who has undertaken recognised study or has a history of
creative practice and whose motivation is to work towards creative excellence
and career development. Peer recognition may exist however a viable income
is not yet derived from practice.
Makerspace A community-operated work space with equipment and resources where
people with common interests can meet, learn, share and collaborate.
Not for profit An organisation recognised through State or Federal legislation as an
organisation whose primary purpose is not to generate a profit for individual
or shareholder’s benefit.
Placemaking Placemaking is the multi-faceted practice of collectively reinventing and
designing public spaces in response to the needs and character of an
individual community. Placemaking facilitates creative patterns of use, paying
particular attention to the physical, cultural, and social aspects that define a
place and support its ongoing evolution.
Professional artist An individual who has undertaken recognised study and/or a strong history
of creative practice. They are recognised by their peers in an artistic capacity,
generate a viable income from their practice and operate in a business-like
manner.
Public art Site specific artwork, temporary or permanent, created in response Page
to the43
place and community in which it resides.
Section 44
= | ~ ~ eZ A ff
= ne [ 3 , — —
\ , —e re
: 5 1 1 1 4 3 1053 107 43 51 9 iy
5 1 1 1 4 4 1197 144 53 7 3 A.
5 1 1 1 4 5 1520 132 7 5 0 e
5 1 1 1 4 6 1546 116 40 40 61 AG,
5 1 1 1 4 7 1691 126 157 55 23 Tg hooray if
4 : ~ 5 1 1 1 5 5 1576 163 33 22 30 x
5 1 1 1 5 6 1878 155 78 30 82 —
5 1 1 1 5 7 2558 186 3 9 64 3
5 1 1 1 5 8 2627 191 17 6 38 a
5 1 1 1 5 9 2968 192 2 3 38 J
4 1 1 1 6 0 1665 180 958 52 -1
5 1 1 1 6 1 1665 180 10 8 23 r
5 1 1 1 6 2 2587 197 36 35 26 se
4 1 1 1 7 0 312 177 2640 56 -1
5 1 1 1 7 1 305 177 9 16 0 e
5 1 1 1 7 2 557 185 8 23 17 ;
5 1 1 1 7 3 1258 215 2 2 19 .
5 1 1 1 7 4 1358 204 9 11 0 }
5 1 1 1 7 5 1554 202 41 31 24 Se
5 1 1 1 7 6 2349 214 3 19 85 \
5 1 1 1 7 7 2553 212 45 11 44 —
5 1 1 1 7 8 2947 227 5 6 0 é
4 1 1 1 8 0 262 211 2191 68 -1
5 1 1 1 8 1 262 211 10 6 24 2
5 1 1 1 8 2 1138 234 3 1 24 :
5 1 1 1 8 3 1287 207 32 42 28 im
5 1 1 1 8 4 2299 228 16 46 52 |
5 1 1 1 8 5 2431 238 22 41 22 —_
4 1 1 1 9 0 247 226 2488 104 -1
5 1 1 1 9 1 247 226 1 3 29 ‘
5 1 1 1 9 2 296 241 28 14 31 ae
5 1 1 1 9 3 1012 240 6 8 0 V
5 1 1 1 9 4 1551 244 56 37 10 be
5 1 1 1 9 5 1653 252 2 2 76 .
5 1 1 1 9 6 2199 269 29 17 31 ee
5 1 1 1 9 7 2241 239 43 40 79 a
5 1 1 1 9 8 2390 259 20 4 41 #
5 1 1 1 9 9 2708 278 27 52 28 Se
4 1 1 1 10 0 175 275 2523 90 -1
5 1 1 1 10 1 175 282 5 10 0 ‘
5 1 1 1 10 2 249 275 10 9 5 i
5 1 1 1 10 3 365 298 6 3 2 P
5 1 1 1 10 4 1080 288 2 4 0 ;
5 1 1 1 10 5 1234 301 51 23 65 Can
5 1 1 1 10 6 1520 311 3 9 0 ’
5 1 1 1 10 7 1571 308 2 2 65 |
5 1 1 1 10 8 1618 292 29 16 62 Pas
5 1 1 1 10 9 1881 304 11 14 30 5
5 1 1 1 10 10 2048 334 7 1 46 ‘
5 1 1 1 10 11 2104 285 63 80 34 Pa
5 1 1 1 10 12 2696 327 2 2 20 :
4 1 1 1 11 0 349 307 1705 52 -1
5 1 1 1 11 1 349 307 11 7 66 a
5 1 1 1 11 2 758 337 2 2 0 H
5 1 1 1 11 3 1792 348 5 6 0 <o
5 1 1 1 11 4 1985 336 69 16 28 a
4 1 1 1 12 0 67 321 2531 66 -1
5 1 1 1 12 1 67 357 3 8 21 F
5 1 1 1 12 2 491 336 104 49 26 </;
5 1 1 1 12 3 1285 321 51 41 66 ~
5 1 1 1 12 4 1570 332 4 33 27 NU
5 1 1 1 12 5 1826 362 311 25 39 ied
5 1 1 1 12 6 2595 376 3 3 0 :
4 1 1 1 13 0 178 365 2576 171 -1
5 1 1 1 13 1 263 361 155 154 0 WS
5 1 1 1 13 2 1002 427 54 41 0 as
5 1 1 1 13 3 1383 463 128 23 66 x
5 1 1 1 13 4 1762 422 261 78 37 Ow
5 1 1 1 13 5 2243 419 185 117 55 tx
5 1 1 1 13 6 2529 458 225 62 62 As
4 1 1 1 14 0 289 476 2485 49 -1
5 1 1 1 14 1 289 476 2 2 0 j
5 1 1 1 14 2 1755 501 2 2 0 .
5 1 1 1 14 3 1844 503 4 3 0 e
5 1 1 1 14 4 1877 503 2 2 0 .
5 1 1 1 14 5 2321 514 2 4 0 r
5 1 1 1 14 6 2343 498 15 20 28 A
5 1 1 1 14 7 2615 518 4 3 0 ‘
5 1 1 1 14 8 2759 506 15 19 0 S
4 1 1 1 15 0 1136 499 1663 48 -1
5 1 1 1 15 1 1136 504 2 2 0 ,
5 1 1 1 15 2 1388 499 3 6 3 /
5 1 1 1 15 3 1626 523 6 6 0 ,
5 1 1 1 15 4 2029 511 4 12 0 ‘
5 1 1 1 15 5 2230 533 2 5 7 E
5 1 1 1 15 6 2295 521 10 19 16 oS
5 1 1 1 15 7 2487 522 33 19 0 7e
5 1 1 1 15 8 2629 524 13 14 20 q
5 1 1 1 15 9 2792 541 7 6 0 ‘t
4 1 1 1 16 0 834 490 1784 89 -1
5 1 1 1 16 1 834 496 66 56 0 .
5 1 1 1 16 2 1635 534 277 17 33 aes
5 1 1 1 16 3 2221 490 397 89 35 ANZ
4 1 1 1 17 0 1644 539 1208 68 -1
5 1 1 1 17 1 1644 549 14 18 62 %
5 1 1 1 17 2 1886 560 4 10 0 .
5 1 1 1 17 3 1991 555 31 15 30 eg
5 1 1 1 17 4 2215 567 9 20 0 :
5 1 1 1 17 5 2417 549 99 45 30 vac
5 1 1 1 17 6 2536 539 68 68 47 ZZ
5 1 1 1 17 7 2647 563 12 14 43 4
5 1 1 1 17 8 2825 572 27 29 0 »
4 1 1 1 18 0 528 562 2334 67 -1
5 1 1 1 18 1 528 562 27 21 28 ~
5 1 1 1 18 2 871 576 38 45 49 .
5 1 1 1 18 3 939 581 44 36 46 a
5 1 1 1 18 4 1318 584 2 3 3 :
5 1 1 1 18 5 1656 571 22 31 56 %
5 1 1 1 18 6 1957 596 11 16 15 os
5 1 1 1 18 7 2421 589 10 40 37 oO
5 1 1 1 18 8 2510 578 37 44 16 7
5 1 1 1 18 9 2559 595 17 12 35 hh
5 1 1 1 18 10 2625 599 15 13 0 -
5 1 1 1 18 11 2858 606 4 4 0 .
4 1 1 1 19 0 1686 612 1209 35 -1
5 1 1 1 19 1 1686 612 5 10 0 \
5 1 1 1 19 2 1903 613 13 19 38 1
5 1 1 1 19 3 1960 629 3 4 0 *
5 1 1 1 19 4 2063 623 3 12 91 \
5 1 1 1 19 5 2357 626 21 21 7 ria
5 1 1 1 19 6 2890 637 5 4 0 .
4 1 1 1 20 0 552 616 1897 51 -1
5 1 1 1 20 1 552 618 64 26 0 =,
5 1 1 1 20 2 895 616 8 4 0 ‘
5 1 1 1 20 3 1489 637 7 4 5 ’
5 1 1 1 20 4 1680 642 2 2 35 4
5 1 1 1 20 5 1920 634 22 33 0 -
5 1 1 1 20 6 2067 637 70 10 36 oe
5 1 1 1 20 7 2366 637 83 20 31 a
4 1 1 1 21 0 529 594 1930 101 -1
5 1 1 1 21 1 529 646 5 3 68 J
5 1 1 1 21 2 636 635 12 20 19 x
5 1 1 1 21 3 994 594 93 92 10 4»
5 1 1 1 21 4 1502 652 31 20 0 es
5 1 1 1 21 5 1728 666 9 9 0
bang NS SS 4 (ig , id Dp 5 5
PAA
fi “ z of Yn 4 > 8 Uf 7
- .. A
| 3 Es ‘ 7 BS
| —F) » ce Seni a
Se ec Zo .
\ aie Aa
5 1 1 1 28 4 2560 846 25 26 86 \
5 1 1 1 28 5 2645 828 40 57 92 >
4 1 1 1 29 0 329 889 2096 71 -1
5 1 1 1 29 1 329 889 4 5 0 \
5 1 1 1 29 2 912 896 53 36 23 Toto
5 1 1 1 29 3 1078 902 60 20 4 orcas
5 1 1 1 29 4 1167 919 74 17 0 Puree
5 1 1 1 29 5 1446 919 1 9 0 '
5 1 1 1 29 6 2139 896 94 61 59 4a)
5 1 1 1 29 7 2411 928 14 32 42 is
4 1 1 1 30 0 930 925 1442 53 -1
5 1 1 1 30 1 930 935 6 4 0 S
5 1 1 1 30 2 1188 936 24 17 2 a,
5 1 1 1 30 3 1219 932 57 23 0 +
5 1 1 1 30 4 1285 938 102 22 6 Orso»
5 1 1 1 30 5 1615 925 28 53 0 X\
5 1 1 1 30 6 1911 947 31 15 69 2
5 1 1 1 30 7 2355 954 17 6 55 ai
4 1 1 1 31 0 1180 938 1444 62 -1
5 1 1 1 31 1 1180 977 3 1 31 ;
5 1 1 1 31 2 1198 941 177 49 3 Stiteseccosces
5 1 1 1 31 3 1580 938 48 62 19 aN
5 1 1 1 31 4 1755 959 5 11 51 1
5 1 1 1 31 5 1938 987 3 3 28 .
5 1 1 1 31 6 2254 995 5 2 36 =
5 1 1 1 31 7 2319 981 8 14 51 ,
5 1 1 1 31 8 2621 983 3 1 28 :
4 1 1 1 32 0 1175 981 1143 27 -1
5 1 1 1 32 1 1175 981 209 26 0 ratetgtgtet
5 1 1 1 32 2 1304 973 26 38 0 ra
5 1 1 1 32 3 1329 981 55 26 0 tro*
5 1 1 1 32 4 1942 989 18 17 28 %
5 1 1 1 32 5 2262 996 56 12 43 MA
4 1 1 1 33 0 1166 997 1503 56 -1
5 1 1 1 33 1 1166 999 3 3 16 oa
5 1 1 1 33 2 1190 999 186 19 0 atatststrOvatro
5 1 1 1 33 3 1355 979 23 43 28 ss
5 1 1 1 33 4 1443 1007 2 3 0 ,
5 1 1 1 33 5 1971 997 29 56 0 8
5 1 1 1 33 6 2292 1014 16 28 48 4
5 1 1 1 33 7 2666 1033 3 2 16 ,
4 1 1 1 34 0 402 1033 2131 63 -1
5 1 1 1 34 1 402 1045 9 6 0 ,
5 1 1 1 34 2 741 1033 2 3 0 ’
5 1 1 1 34 3 1193 1044 47 9 0 TS
5 1 1 1 34 4 1251 1037 29 19 27 eet
5 1 1 1 34 5 1289 1048 69 15 20 tes.
5 1 1 1 34 6 1936 1067 5 6 54 ‘
5 1 1 1 34 7 1989 1047 39 42 40 %
5 1 1 1 34 8 2355 1079 3 3 30 :
5 1 1 1 34 9 2420 1065 50 19 8 rs,
5 1 1 1 34 10 2495 1047 38 49 17 NS
4 1 1 1 35 0 261 1038 2121 64 -1
5 1 1 1 35 1 261 1047 5 10 0 '
5 1 1 1 35 2 393 1038 18 29 0 rs
5 1 1 1 35 3 1953 1075 57 20 38 RR
5 1 1 1 35 4 2379 1099 3 3 0 .
4 1 1 1 36 0 298 1064 2261 76 -1
5 1 1 1 36 1 298 1085 15 20 43 q
5 1 1 1 36 2 1027 1064 12 41 48 |
5 1 1 1 36 3 1107 1089 35 23 23 OO
5 1 1 1 36 4 1141 1091 166 34 15 See
5 1 1 1 36 5 1333 1103 45 20 11 oh
5 1 1 1 36 6 1377 1085 35 45 18 Ma
5 1 1 1 36 7 1436 1105 40 15 38 So
5 1 1 1 36 8 1823 1116 4 2 0 :
5 1 1 1 36 9 1999 1087 57 46 34 Se
5 1 1 1 36 10 2437 1113 48 27 0 «
5 1 1 1 36 11 2536 1087 23 23 30 ss
4 1 1 1 37 0 314 1107 2174 45 -1
5 1 1 1 37 1 314 1107 2 3 45 .
5 1 1 1 37 2 1102 1141 1 3 33 =
5 1 1 1 37 3 1159 1117 8 4 39 °
5 1 1 1 37 4 1194 1113 60 33 41 oe
5 1 1 1 37 5 1255 1120 39 25 33 iio
5 1 1 1 37 6 1314 1125 69 24 54 SR
5 1 1 1 37 7 1435 1122 58 30 23 pees
5 1 1 1 37 8 1617 1127 14 13 0 .
5 1 1 1 37 9 2043 1127 39 25 60 ~
5 1 1 1 37 10 2486 1147 2 3 37 7
4 1 1 1 38 0 348 1139 2056 53 -1
5 1 1 1 38 1 348 1139 6 5 5 ,
5 1 1 1 38 2 1111 1150 23 11 40 iy
5 1 1 1 38 3 1249 1143 115 21 14 Fe
5 1 1 1 38 4 1435 1147 72 29 29 es,
5 1 1 1 38 5 1616 1150 12 27 0 S
5 1 1 1 38 6 1976 1179 6 12 72 P
5 1 1 1 38 7 2397 1166 7 26 0 }
4 1 1 1 39 0 1131 1155 958 40 -1
5 1 1 1 39 1 1131 1155 11 29 41 ‘4
5 1 1 1 39 2 1477 1174 40 12 30 em
5 1 1 1 39 3 2081 1184 8 6 4 =~.
4 1 1 1 40 0 378 1174 1488 24 -1
5 1 1 1 40 1 378 1174 5 5 0 s
5 1 1 1 40 2 1142 1189 2 4 36 i
5 1 1 1 40 3 1342 1184 16 10 40 <
5 1 1 1 40 4 1496 1185 18 9 43 a
5 1 1 1 40 5 1769 1193 3 5 0 .
5 1 1 1 40 6 1861 1188 5 8 49 ,
4 1 1 1 41 0 379 1162 2164 79 -1
5 1 1 1 41 1 379 1179 1 3 0 ;
5 1 1 1 41 2 775 1182 14 26 40 a
5 1 1 1 41 3 1054 1162 8 39 61 }
5 1 1 1 41 4 1311 1187 53 40 10 ney
5 1 1 1 41 5 1463 1213 19 12 36 me
5 1 1 1 41 6 1759 1192 8 20 1 j
5 1 1 1 41 7 1776 1225 3 2 27 5
5 1 1 1 41 8 1844 1222 4 2 47 ,
5 1 1 1 41 9 2062 1204 10 8 77 q
5 1 1 1 41 10 2112 1189 20 51 0 4
5 1 1 1 41 11 2385 1196 11 39 62 |
5 1 1 1 41 12 2508 1234 35 7 14 _—
4 1 1 1 42 0 1145 1217 1426 51 -1
5 1 1 1 42 1 1145 1217 2 9 88 |
5 1 1 1 42 2 1301 1219 294 40 6 Pete
5 1 1 1 42 3 1759 1227 37 25 29 a
5 1 1 1 42 4 1954 1242 11 5 0 :
5 1 1 1 42 5 2519 1248 52 20 81 =
4 1 1 1 43 0 1312 1246 1339 54 -1
5 1 1 1 43 1 1312 1248 53 36 22 See
5 1 1 1 43 2 1425 1246 81 42 21 =
5 1 1 1 43 3 1530 1254 90 34 23 a
5 1 1 1 43 4 1739 1251 109 38 29 a
5 1 1 1 43 5 2093 1258 41 32 37 Ve
5 1 1 1 43 6 2616 1271 35 19 22 7
4 1 1 1 44 0 1060 1276 1590 45 -1
5 1 1 1 44 1 1060 1288 88 27 55 a”
5 1 1 1 44 2 1421 1285 18 28 31 ee
5 1 1 1 44 3 1531 1282 63 24 46 SSS
5 1 1 1 44 4 1813 1285 183 35 0 ys
5 1 1 1 44 5 2541 1299 3 5 18 SP
5 1 1 1 44 6 2640 1304 10 17 27 4
4 1 1 1 45 0 1293 1287 1345 57 -1
5 1 1 1 45 1 1293 1287 8 32 29 Fe
5 1 1 1 45 2 1355 1304 14 9 8 a
5 1 1 1 45 3 1451 1307 33 16 16 «*
5 1 1 1 45 4 1531 1304 7 7 0 *
5 1 1 1 45 5 1816 1310 2 4 0 ’
5 1 1 1 45 6 2020 1321 6 13 33 4
5 1 1 1 45 7 2361 1329 1 3 82 j
5 1 1 1 45 8 2619 1327 19 17 0 &/
4 1 1 1 46 0 1222 1351 1388 50 -1
5 1 1 1 46 1 1222 1358 11 14 8 j
5 1 1 1 46 2 1288 1351 10 16 72 <
5 1 1 1 46 3 1307 1352 57 28 0 San5
5 1 1 1 46 4 1431 1353 69 21 11 eet
5 1 1 1 46 5 1637 1359 30 22 6 as
5 1 1 1 46 6 1794 1375 8 5 8 2
5 1 1 1 46 7 1878 1369 3 15 0 !
5 1 1 1 46 8 2009 1381 7 3 0 :
5 1 1 1 46 9 2107 1375 11 11 87 4
5 1 1 1 46 10 2127 1372 27 29 39 &
5 1 1 1 46 11 2199 1371 1 3 0 ;
5 1 1 1 46 12 2327 1387 1 3 30 ;
5 1 1 1 46 13 2609 1380 1 4 8 ’
4 1 1 1 47 0 1286 1374 747 27 -1
5 1 1 1 47 1 1286 1374 78 19 0 Ps-25
5 1 1 1 47 2 1433 1381 14 9 38 >.
5 1 1 1 47 3 1620 1381 22 14 13 4
5 1 1 1 47 4 1875 1389 4 12 0 /
5 1 1 1 47 5 2030 1398 3 2 0 n
4 1 1 1 48 0 1304 1390 830 42 -1
5 1 1 1 48 1 1304 1390 54 27 13 oo
5 1 1 1 48 2 1357 1372 50 49 25 Mae
5 1 1 1 48 3 1579 1395 56 26 18 ies
Za ow§,
‘ =", 4 re ee, Z 4 : - a
ar es . / LB
sii % Soon -
ne y — A See » : ‘
KS OY 5 . \ my ~
j i eS ¥ a \ ; 2
» { ~ agseet 4 \ ’
Pm oe ‘
q it By fess aes vd A ™
, | = DD Sse: - im) j .
r = ate o :
bt = De & > SSS a */
sy) : =: s es p” 7
: . e 4 *.* . e ‘ P
~ A a aoe ‘2. : .. , ?
et s | Re “Lom
‘ D esate: : cg vt _ >
Paget > i Ken tetsee Se ms a P FX. . Q
ie i 3 eeces Soses) ’ nr” aes f ™
a Ne ! SEEN ~~ |
Rm padi a” ‘ ia i as : ~~ oo ee a ¥ fo . :
bie: (8 oe vesik. | v ~~ A : 4 f Yi 7
, ee IN x my my % a” oe me f \ f 4 Sng:
Pa Ae SOS NaS 5 1 1 1 72 6 863 1907 35 13 0 e.
5 1 1 1 72 7 980 1910 1 3 23 fe
5 1 1 1 72 8 1289 1903 137 27 26 irr:
5 1 1 1 72 9 1480 1914 18 8 27 XS
5 1 1 1 72 10 1897 1905 31 35 0 f-
5 1 1 1 72 11 2359 1920 7 5 34 >
5 1 1 1 72 12 2462 1914 85 39 28 ‘ee
5 1 1 1 72 13 2783 1927 6 7 74 F
4 1 1 1 73 0 347 1906 2498 65 -1
5 1 1 1 73 1 363 1906 53 19 30 cee
5 1 1 1 73 2 458 1912 41 16 32 ee
5 1 1 1 73 3 578 1914 84 11 19 ee
5 1 1 1 73 4 753 1909 33 43 41 el
5 1 1 1 73 5 848 1930 2 2 11 :
5 1 1 1 73 6 1246 1928 52 8 33 ia
5 1 1 1 73 7 1395 1920 84 30 0 note
5 1 1 1 73 8 1483 1930 8 12 0 *
5 1 1 1 73 9 1875 1933 18 23 37 A
5 1 1 1 73 10 2535 1960 3 2 10 ~~
5 1 1 1 73 11 2589 1938 33 24 0 S
5 1 1 1 73 12 2836 1962 9 9 59 7
4 1 1 1 74 0 380 1928 2236 72 -1
5 1 1 1 74 1 380 1928 69 18 35 fn
5 1 1 1 74 2 490 1937 88 21 49 /
5 1 1 1 74 3 596 1935 52 22 25 &
5 1 1 1 74 4 1063 1939 33 17 12 Yo
5 1 1 1 74 5 1220 1945 284 27 18 eS
5 1 1 1 74 6 1867 1964 40 14 26 oy
5 1 1 1 74 7 2363 1966 41 12 37 A
5 1 1 1 74 8 2479 1964 43 16 39 —
5 1 1 1 74 9 2540 1961 76 39 28 —
4 1 1 1 75 0 430 1948 2393 85 -1
5 1 1 1 75 1 430 1974 2 2 72 j
5 1 1 1 75 2 496 1956 17 20 27 ae
5 1 1 1 75 3 532 1956 75 21 16 eit
5 1 1 1 75 4 642 1974 6 7 40 ome
5 1 1 1 75 5 684 1951 18 34 30 we
5 1 1 1 75 6 757 1948 89 69 83 Ap
5 1 1 1 75 7 902 1973 23 17 0 \i/
5 1 1 1 75 8 1193 1975 3 8 51 i
5 1 1 1 75 9 1302 1970 47 23 30 ae
5 1 1 1 75 10 1375 1964 122 37 41 Se
5 1 1 1 75 11 1732 1974 33 44 4 NN
5 1 1 1 75 12 1866 1979 36 18 0 eo,
5 1 1 1 75 13 1976 1992 2 2 0 ’
5 1 1 1 75 14 2248 1993 3 5 0 .
5 1 1 1 75 15 2395 1999 2 3 23
6 y <Liheti i 1 \ — -e > o 4 Q . = :
F eg Ve r : eo ~ , - : me “
Oe #. % Sasc Selee 8 ; . * ac
FS, ee Naa a. SSS SES OCS OT 7 a » ee. os >
= EN we “ : to 0a? o> a %
Vea wo? Psesese: cece or
aas * ; gp . bh al a ae a ,
nade P, / b ESOS OSES SOS] ‘ ,
suet a P oY eteese se deme i A
Woe ie) . A vane s — : — © 4 oe ;
Dt Pa p | ie Sees ———_ 1) ei
7 ui ; s ; ! | / mn q
, i ' 7 Pai” ee
» “a ae ae
9 ~” 4 f . et - Fre
y bo . 4
P f a oh, : a
» P / ws